Do you feel like you need to find the best Sony A7SII lenses?
If you acquired Sony’s hybrid flagship, you probably wish to find good optics to complement it.
Since it can be tricky to find a proper guide for the best lenses, I came up with the five best Sony A7 II lenses which will work for anyone.
For readers who are not acquainted with the camera, the Sony A7S II comes with a 12 MPx sensor, 4K, and full HD video (at 120 fps).
The ISO sensitivity range is from 50-4096001 for both stills and videos. It also features Sony’s 5-axis in-body image stabilization, along with Sony’s S-Gamut3.Cine/S-Log3, for a wider dynamic range.
Now that we know what type of camera we’re dealing with, let’s get into finding the best A7S II lens.
Sony 85mm f/1.8-22 offers a nine-blade circular aperture for a beautiful bokeh effect. The ED glass element is in charge of edge-to-edge sharpness, while the double linear motor ensures precise focusing.
The minimum focusing distance is at 0.8m, with a maximum magnification ratio of 0.13x. The angle of view sits at 29 degrees.
I liked the programmable focus button on the lens, especially since more expensive lenses lack one. It is even more amazing that the lens is quite compact and light as a feather. The f/1.8 aperture is perhaps an odd choice for a prime lens, but Sony 85mm does a splendid job, even under low light.
The image quality is superior, with solid contrast and nice color tones. The biggest advantage of this lens over an f/1.4 counterpart is significantly lower weight. It also retains most of the functions of its “stronger” brother.
If you are concerned about the aperture, I assure you that it is enough even for dim lighting. It is by far the best prime Sony A7S II lens, with super-sharp photos and a reliable focusing system.
- Powerful aperture
- Beautiful image quality
- An f/1.4 is a better choice for professionals
Best Wide-Angle Lens for Landscapes and Urban areas
Sony FE 12-24mm f/4 G offers a maximum magnification ratio of 0.14x, with an angle of view of 122°–84°. It packs four aspherical, one super ED and three ED glass elements.
It also sports a seven-blade circular aperture that ensures beautiful bokeh. The Direct-Drive Supersonic Wave motor enables quick and responsive focusing. By far, it is the best choice for any photographer who loves shooting ultra-wide angles.
The distortion is noticeable. Luckily, they can be reduced by the lens profiles in the postproduction. It is the best Sony A7S II lens for shooting interiors or furniture, as long as you can eliminate distortion.
The lens is small and light, so it is convenient for carrying around. The f/4 aperture is solid unless you need an extra bokeh effect, but since the main purpose of this optic is ultra-wide angles, it shouldn’t concern you.
I didn’t face problems shooting under dim lighting. I mainly used the lens for shooting interiors, architecture, and furniture. The image quality is phenomenal, with sharp lines and intricate details which will amaze any retailer.
- Solid focusing
- Good aperture
Best All-Around Lens For Everyday Photography
Sony FE 24-240 mm f/3.5-6.3 comes with a maximum magnification ratio of 0.27x and a versatile focal length. The minimum focus distance ranges from 0.5m to 0.8m. The edge-to-edge sharpness is made possible by five spherical elements, while the ED glass element reduces flare.
The lens packs a seven-blade circular aperture for mesmerizing bokeh. The lens is resistant to dust and moisture, which means you will be able to counter harsh weather conditions.
It operates quite smoothly, especially in urban environments.
It also does a solid job for landscapes and nature, although you need to tweak ISO and use higher shutter speeds. The f/3.5 aperture is good, although it is not the most suitable for dim lighting.
The optical image stabilization does a decent job for handheld shots. However, I recommend the use of a tripod for videography. The focal length is great for both, close-ups and distant shots. The image quality is great with vivid coloring.
Design-wise, its build is of high quality with a rigid zooming ring. So far, the only drawback is the weight of the lens, so pay attention if you intend to use it for prolonged sessions.
- Focal length
- Optical image stabilization
- Great image quality
- Limiting aperture
Best Telephoto Lens For Wildlife Photography
Sony FE 70-300mm f/4.5-5.6 G has Optical Steady shot stabilization that allows taking clear pictures at the full telephoto end. The lens comes with a nine-blade circular aperture, two extra-low dispersion, and four aspherical elements.
Its closest focusing distance is less than 3 inches. The image quality is impeccable, with full images and crops being extremely sharp. Due to optical image stabilization, pictures that are taken without a tripod still look great.
Furthermore, since the closest focus distance is less than 3 inches, I was able to achieve great macro shots. The aperture is limiting to an extent, so if you intend to shoot wildlife, make sure to have decent lighting or a higher ISO value.
The focusing is quite good, although it misses sometimes, especially if there is an object close to the lens.
On the other hand:
The amount of details and contrast in pictures is amazing, and the quality of action shots is unbelievable.
One of the reasons that made me think it is the best Sony A7S II lens is the versatile focal length that is great for both wildlife and actions.
Although the lens is heavy, it is built quite well, so I don’t see it as a major shortcoming, especially due to its majestic focal length.
- Focal length
- Picture quality
- Sturdy design
Best Macro Lens For Macro Photography
Zeiss Batis 85mm f/1.8 is a robust and weatherproof lens intended for professional photography. The lens comes with an OLED screen that displays the depth of field, selected focus, etc. In turn, it makes taking images much easier.
Furthermore, it is equipped with optical image stabilization, which can be crucial for macro photography. The aperture of this optics is amazing, and it knocks down even faster f/1.4.
The combination of wide aperture and image stabilization enables one to capture stunning images without a tripod. The bokeh effect is another excellent point. I noticed it is football-shaped, rather than round, but it still looks great.
All of the pictures came out looking extremely sharp and colorful, with masterful contrast. Manual focusing is satisfactory, although the focus ring could be more textured. Focus assist and peaking can help a lot to get sharp images with eyes in focus.
In addition to that:
The autofocus is extremely silent. Since the lens is heavy, you might want to consider using a tripod. I love the weight of the lens and the excellent choice of high-quality materials it is made of. An additional plus is a weather sealant, which comes in handy in heavy rain.
- Powerful aperture
- Extreme image sharpness
- OLED display
Best Lenses for Sony A7SII – Verdict
With proper guidance, finding the best Sony A7S II lenses doesn’t have to be difficult.
With that in mind, I made the list of the five best lenses for each category. I tried to think through the needs of both professionals and enthusiasts.
All of the Sony A7SII lenses from the list have top-notch quality. Whichever you pick, you won’t fall short.
If you are still not sure which lens to choose, please comment below and I will help you choose the right lens for your personal needs.