Are you interested in finding the best Olympus E-M5 Mark III lenses?
A lot of people have issues when it comes to choosing the right lens.
Luckily for you, in this guide, you will learn all basics about Olympus OM-D E-M5 Mark III lenses.
The Olympus OM-D E-M5 Mark III is a midrange Micro Four Thirds mirrorless camera.
It has a 20 MPx Thirds sensor, a 5-axis in-body image stabilization, and a 121-point hybrid autofocus system.
With this camera, you can shoot bursts at ten fps with continuous autofocus, and it can capture 4K 30p and 24p videos. The camera body is weather-sealed and has a modern, stylish design.
How can this midrange camera perform almost as well as top-tier professional cameras? If you wonder about it, let me clue you in. You will need the right set of Olympus OM-D E-M5 Mark III lenses.
And I discovered what lenses suit perfectly okay with this Olympus edition.
Panasonic 42.5mm f/1.2 is an optically stabilized lens with Lumix Power optical image stabilization and advanced nano surface coating.
The lens also has an external aperture ring and metal lens hood, with a micro four-thirds lens mount. Of course, the lens is not zoomable, but it is not expected either since it is a portrait lens.
I found out that this lens’s beautiful bokeh effect is capable of is best achieved when you leave plenty of distance in the background; this highlights the focal point while artfully blurring everything else.
When opened wide open at f/1.2, the lens is astoundingly sharp. This sharpness, combined with the gorgeous out of focus area, gives the images an extremely pleasing look.
It is a costly lens:
But you will get one of the best and fastest autofocus systems on the market in return. The focusing is very precise, quiet, and I didn’t notice any hunting issues during the testing phase.
For portrait photography, it is one of the best lenses I have ever used. The subjects look surprisingly good, with no distortions or aberrations of any type, and the separations between focus and blurred out areas are out of this world.
- Beautiful bokeh
- Great sharpness
- Fast autofocus
Best Wide-Angle Lens for Landscape Photography
Panasonic 8-18mm f/2.8-4 is a professional, high-quality lens with Panasonic’s Nano Surface Coating that will eliminate unwanted ghosting and flaring for crystal-clear pictures.
The lens is one of the best things for videography since it has a faster focus tracking via a 240 fps linear motor. It performs smooth aperture changes, and there are no sudden jumps in an exposure. All of those things mean that the result in terms of video quality is better.
Since this is a wide-angled lens aimed at outdoor photographers, it is good to say it is made of durable metal, and it can operate with ease in almost any weather conditions.
The pictures produced at 8 mm are of the highest quality with no visible distortions or aberrations. The contrast is relatively high, and details are super crispy even at the 18 mm end.
It comes with an extremely smooth zoom and focus ring, and while the front element moves with zooming, it moves inside the barrel. If you put a clear filter on top, and you can assure no dust will go in.
The maximum aperture opening makes sure you will get excellent image quality under low light. The only drawback is the price, but it well worth it.
- High speed focus
- Excellent sharpness
- Great for shooting videos
Best All-Around Lens For Everyday Photography
Olympus 12-100mm f/4 has an extensive zoom range of 24 to 200 mm, with 17 elements in 11 groups, which combined, give an outstanding image resolution. The Z Nano coating for extra-low reflection optical coating is present and a weatherproof construction mark.
The optical image stabilization does a beautiful job, and during the testing, I didn’t notice any difference between pictures I took from my hand, compared to those on a tripod.
The sharpness was without any flaws. Another positive thing is that the lens comes with a hood and a pleasant and smooth locking mechanism.
The other plus is the ease of going from auto to manual focus right on the lens’s body, via sliding a collar up or down. This lens is exceptionally well built, heavy, and robust, with an excellent design to match its performance.
The lens mount is not as smooth as I am used to, and neither is the zoom ring. The focus ring is very smooth when using the focus by wire and relatively stiff if you like to use a mechanical linkage.
The close focus distance is excellent and can almost be a macro lens, though you can expect some focus hunting in this case.
- Good sharpness
- Smooth locking mechanism
- Comes with a hood
- Lens mount is not as smooth
Best Telephoto Lens For Wildlife Photography
If you are looking for a telephoto lens that is dust, splash, and freeze-proof, you need to pay attention to Olympus 40-150 mm f/2.8. It is a lens that comes with an additional lens cap, rear lens cap, lens hood, and a lens case.
It also has a manual focus clutch mechanism. I noticed the excellent, high-contrast of the images captured with this lens.
The auto-focusing system is one the best I have ever encountered; it is highly responsive, accurate, and does not have hunting issues. In terms of image sharpness, I must say I am happy with the maximum aperture results.
Although it is a telephoto lens, I am amazed by the quality of the bokeh effect, which is extraordinarily good and can compete with some primes.
I didn’t notice any flare or ghosting issues during the testing, while the vignetting in edges was close to nothing. I must praise the ergonomic-wise placement of the L-FN button and solid metal constructions that are weather-sealed in design.
On the minus side:
I must say the lens is quite heavy and bulky, and the price is a bit too high for my taste.
- Build quality
- Excellent autofocus
- Beautiful bokeh effect
Best Macro Lens For Macro Photography
Olympus 60mm f/2.8 is a weatherproof lens that can withstand challenging weather conditions, including extreme colds. It is important to stress its 7.4-inch minimum working distance and a focal length of 60 mm. I am a fan of tech features, so I appreciate the built-in working distance window for subject distance confirmation.
The lens is macro in its core so that you can forget about mesmerizing bokeh effects, but you will still get crisp crystal images that have stunningly beautiful details. One of the technical reasons you will be able to get so beautiful details is that the lens has 13 separate lens elements in 10 groups.
Since I wouldn’t say I like using a tripod in macro photography, I appreciate that I can get great shots handheld without compromising image quality.
The 1:1 wheel on the side of the lens works great; you only need a flick of the finger and an easy bodily movement to get the lens to focus. Since you are so close (7.4 inches minimum working distance), the focus is fiddly, and you need pixel peaking to get the best of it.
Construction is plastic:
But it’s high quality and reliable if you’re familiar with Olympus. And the lack of bulk and weight is a significant reason to get this lens.
- Excellent color distribution
- Good low-light performance
- Small distortion at the telephoto end
Best lenses for Olympus OM-D E-M5 Mark III
It felt quite nice to test the Olympus OM-D E-M5 Mark III. The camera features will suffice in satisfying the needs of most hobby and semi-pro photographers who love to work with mirrorless cameras.
The good thing about mirrorless cameras is that they allow photographers to have decent gear in small packages, which means a world to travelers.
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