It has a 20 MPx Thirds sensor, a 5-axis in-body image stabilization, and a 121-point hybrid autofocus system.

With this camera, you can shoot bursts at ten fps with continuous autofocus, and it can capture 4K 30p and 24p videos. The camera body is weather-sealed and has a modern, stylish design.

How can this midrange camera perform almost as well as top-tier professional cameras? If you wonder about it, let me clue you in. You will need the right set of Olympus OM-D E-M5 Mark III lenses.

And I discovered what lenses suit perfectly okay with this Olympus edition.

Best Prime Lens For Portrait Photography

Panasonic 42.5mm f/1.2 is an optically stabilized lens with Lumix Power optical image stabilization and advanced nano surface coating.

The lens also has an external aperture ring and metal lens hood, with a micro four-thirds lens mount. Of course, the lens is not zoomable, but it is not expected since it is a portrait lens.

I discovered that this lens’s beautiful bokeh effect is best achieved when you leave plenty of distance in the background; this highlights the focal point while artfully blurring everything else.

When opened wide open at f/1.2, the lens is astoundingly sharp. This sharpness, combined with the gorgeous out-of-focus area, gives the images an extremely pleasing look.

It is a costly lens:

But you will get one of the best and fastest autofocus systems in the market. The focus is exact and quiet, and I didn’t notice any hunting issues during the testing phase.

It is one of the best lenses I have ever used for portrait photography. The subjects look surprisingly good, with no distortions or aberrations of any type, and the separations between focus and blurred-out areas are out of this world.

Best Wide-Angle Lens for Landscape Photography

• Lens Type: Wide Angle
• Mounting Type: Micro Four Thirds
• Focal Length Range: 8-18mm
• Minimum Focus Distance: 0.2m
• Weight: 0.69 pounds
• Dimensions: 3.46 x 4.49 x 7.24 inches

Panasonic 8-18mm f/2.8-4 is a professional, high-quality lens with Panasonic’s Nano Surface Coating that will eliminate unwanted ghosting and flaring for crystal-clear pictures.

The lens is one of the best things for videography since it has faster focus tracking via a 240 fps linear motor. It performs smooth aperture changes, and there are no sudden jumps in an exposure. Those things mean that the result in terms of video quality is better.

Since this is a wide-angled lens aimed at outdoor photographers, it is good to say it is made of durable metal and can operate efficiently in almost any weather conditions.

The pictures produced at 8 mm are of the highest quality, with no visible distortions or aberrations. The contrast is relatively high, and the details are super crispy, even at the 18 mm end.

It comes with a highly smooth zoom and focus ring, and while the front element moves with zooming, it moves inside the barrel. If you put a clear filter on top, you can ensure no dust will go in.

The maximum aperture opening makes sure you will get excellent image quality under low light. The only drawback is the price, but it is well worth it.

Best All-Around Lens For Everyday Photography

Olympus 12-100mm f/4 has an extensive zoom range of 24 to 200 mm, with 17 elements in 11 groups combined, giving an outstanding image resolution. The Z Nano coating for extra-low reflection optical coating is present and has a weatherproof construction mark.

The optical image stabilization does a beautiful job, and during the testing, I didn’t notice any difference between the pictures I took from my hand and those on a tripod.

The sharpness was without any flaws. Another positive thing is that the lens has a hood and a pleasant and smooth locking mechanism.

The other plus is the ease of going from auto to manual focus on the lens’s body via sliding a collar up or down. This lens is exceptionally well built, heavy, and robust, with an excellent design to match its performance.

The lens mount is not as smooth as I am used to, and neither is the zoom ring. The focus ring is very soft when using the focus by wire and relatively stiff if you like to use a mechanical linkage.

The close focus distance is excellent and can almost be a macro lens, though you can expect some focus hunting in this case.

Best Telephoto Lens For Wildlife Photography

If you are looking for a telephoto lens that is dust, splash, and freeze-proof, you need to pay attention to Olympus 40-150 mm f/2.8. It is a lens that comes with an additional lens cap, rear lens cap, lens hood, and lens case.

It also has a manual focus clutch mechanism. I noticed the excellent, high-contrast images captured with this lens.

The auto-focusing system is one the best I have ever encountered; it is highly responsive, accurate, and does not have hunting issues. In terms of image sharpness, I must say I am happy with the maximum aperture results.

Although it is a telephoto lens, I am amazed by the quality of the bokeh effect, which is extraordinarily good and can compete with some primes.

I overlooked any flare or ghosting issues during the testing, while the vignetting in the edges was close to nothing. I must praise the ergonomic-wise placement of the L-FN button and solid metal constructions that are weather-sealed in design.

On the minus side:

The lens is heavy and bulky, and the price is too high for my taste.

Best Macro Lens For Macro Photography

Olympus 60mm f/2.8 is a weatherproof lens that can withstand challenging weather conditions, including extreme colds. It is important to stress its 7.4-inch minimum working distance and focal length of 60 mm. I am a fan of tech features, so I appreciate the built-in working distance window for subject distance confirmation.

The lens is macro in its core so that you can forget about mesmerizing bokeh effects, but you will still get crisp crystal images with stunningly beautiful details. One of the technical reasons you can get such beautiful information is that the lens has 13 separate lens elements in 10 groups.

Since I wouldn’t say I like using a tripod in macro photography, I appreciate that I can get great shots handheld without compromising image quality.

The 1:1 wheel on the side of the lens works great; you only need a flick of the finger and an easy bodily movement to get the lens to focus. Since you are so close (7.4 inches minimum working distance), the focus is fiddly, and you need pixel peaking to get the best of it.

Construction is plastic:

But it’s high quality and reliable if you’re familiar with Olympus. And the lack of bulk and weight is a significant reason to get this lens.

What are the best lenses for the Olympus OM-D E-M5 Mark III?

Some of the top lenses for the Olympus OM-D E-M5 Mark III include the Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO for versatile shooting, the Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO for telephoto needs, and the Olympus M.Zuiko Digital 25mm f/1.8 for prime lens users. Your choice will depend on your specific photography needs and style.

What lens is recommended for landscape photography with the Olympus OM-D E-M5 Mark III?

The Olympus M.Zuiko Digital ED 7-14mm f/2.8 PRO is highly recommended for landscape photography. It offers a wide field of view, a constant f/2.8 aperture, and excellent optical performance, making it ideal for capturing expansive vistas and landscapes.

What is the best portrait lens for the Olympus OM-D E-M5 Mark III?

The Olympus M.Zuiko Digital 45mm f/1.8 is a highly recommended portrait lens for this camera. It offers a fast aperture for shallow depth of field and excellent bokeh, and the 90mm equivalent focal length on a Micro Four Thirds sensor is ideal for portrait photography.

What makes a lens compatible with the Olympus OM-D E-M5 Mark III?

Any lens with a Micro Four Thirds mount will be compatible with the Olympus OM-D E-M5 Mark III. This includes lenses made by Olympus as well as other manufacturers such as Panasonic and Sigma who produce Micro Four Thirds lenses.

Can I use third-party lenses with the Olympus OM-D E-M5 Mark III?

Yes, you can use third-party lenses from manufacturers such as Sigma, Panasonic, and Tamron as long as they have a Micro Four Thirds mount. However, you may experience some variations in performance and quality compared to native Olympus lenses.

What is the best macro lens for the Olympus OM-D E-M5 Mark III?

The Olympus M.Zuiko Digital ED 60mm f/2.8 Macro is one of the best macro lenses for the Olympus OM-D E-M5 Mark III. With its 1:1 magnification ratio and a close focusing distance, it’s perfect for capturing detailed close-up shots.

Is the Olympus OM-D E-M5 Mark III good for video recording? What lens is recommended?

Yes, the Olympus OM-D E-M5 Mark III is excellent for video recording, supporting up to Cinema 4K (4096 x 2160) resolution. A lens like the Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO, with its constant aperture and versatile zoom range, is an excellent choice for videographers.

Best lenses for Olympus OM-D E-M5 Mark III

It felt pretty nice to test the Olympus OM-D E-M5 Mark III. The camera features will satisfy the needs of most hobby and semi-pro photographers who love to work with mirrorless cameras.

The good thing about mirrorless cameras is that they allow photographers to have decent gear in small packages, which means the world to travelers.

Read other guides on LensesPro, such as Nikon D40 lenses, and choose Nikon D90 lenses.

More Olympus Lenses Guides:

• Olympus M5 Mark III Lenses
• Olympus M5 Mark II Lenses