Unfortunately, the internet doesn’t offer too many specific-based buying guides that would search for product photography lenses an easy task.

Aware of the market situation and the importance of photography for marketing purposes, I have created a comprehensive buying guide to make it easier for photographers to choose suitable optics for their tasks.

Canon 100mm f/2.8 is one of the best Canon lenses for product photography. This lens is constructed with 15 elements in 12 groups and has a 23.4-degree diagonal angle of view. The closest focus distance is 0,3m, and the maximum close-up magnification sits at 1x. The lens sports an inner focus system with USM and a full-time manual option. Furthermore, it is the first mid-telephoto “L” macro lens with advanced optical image stabilization.

One of the reasons:

Why I included it on the product photography lenses list is an outstanding focus quality since the speed of the autofocus is superior to the competition in nearly every regard. It doesn’t jam, and the accuracy and silent operation is without flaw. The overall image quality is exquisite as well, even under low lighting. I could generally stand close to the product I’m trying to photograph, get quite far away, and still get a great shot.

The critical thing to note is the use of filters. Since you will use it mainly for products (non-living organisms), you could get quite close to them, damaging the glass. Therefore, I advise using filters whenever you can. Color rendering is also excellent since all palettes appear well-rendered with accurate visual representation. The build quality is solid, with enhanced plastic as the primary material.

The best Nikon lens for product photography is constructed with 14 elements in 12 groups and nine rounded diaphragm blades. The angle of the view is 23° 20′, and the minimum focus distance is set at 1,03 feet, with a maximum reproduction ratio of 1.0x. The Nikon 105mm f/2.8 is designed for close-up and macro photography, and it features a new vibration reduction II, which is one of the reasons why I included it as the best product photography lens.

I could pull off great images of products from various angles without using a tripod. Although the lens is not zoomable, since it is intended to be used as a close-up gear (which is especially true for shooting products), it does a phenomenal job of capturing details even from a small distance. One of the most incredible things you can do with this macro lens for product photography is to pair it with a tube extension for even better results.

I used it to photograph macro details of antique watches, and the results were terrific. The aperture is also powerful, with an f/2.8 able to combat lowlight situations and handle them like a pro. The focus system is solid, responds pretty well without being too loud, and is accurate. Design-wise, the lens is built from high-quality materials and doesn’t weigh too much.

The best Sony lens for product photography is constructed with 15 elements in 11 groups, with nine rounded diaphragm blades. It has a minimum focus distance of 11,02 inches. The macro reproduction ratio is 1:1. The angle of the view is 27°, and the lens sports optical image stabilization.

Furthermore:

It has a Direct Drive SSM focus system that ensures silent and accurate focus. The optics Sony manufactured are capable of creating amazing macro shots and presenting the finest details with incredible accuracy. The effective aperture and optical image stabilization ensure high-end quality product photos.

I used Sony 90mm f/2.8-22 with a tripod and from my hands, and I was surprised at how well it managed shakes and movements. I mainly used manual focus since I noticed that I got better and sharper results.

Moreover:

The bokeh effect is also excellent; it is possible to use the lens as a portrait gear because I could get nicely blurred backgrounds at close distances, even at narrow apertures. Color reproduction is very close to what the human eye can see, with no oversaturated effect, and the contrast feels natural. The build quality is also an excellent reason to opt out of this lens because it offers excellent packaging and a sturdy design.

Sigma offers an optical design of 19 elements in 14 groups, with nine diaphragm blades and a maximum magnification of 0,22x. The minimum focus distance is 1,48 feet, and the optics feature optical image stabilization.

One of the reasons why it made the best lens for the product photography list is the rich package that includes a lens hood and front & rear caps. The sharpness is another vital point of this lens because all images I have taken were crystal sharp and with virtually no corner distortion.

Vignetting is present at the time, but it is a minor issue easily mitigated in post-production. Color distribution and contrast are also acceptable and appear natural and realistic. Although the lens has an aperture of an f/4, which could be considered modest, optical image stabilization and a fast focus system ensure maximum photographic quality even under low light. Since it is Sigma’s “Art” lens, you can be assured that you can take awesome-looking images of various products.

Although:

It doesn’t offer a prime lens’s shallow depth of field; it works pretty solid in isolating the subject, and the focal length versatility leaves room for various shooting methods. The last point worth mentioning is the impeccable design. The Sigma 24-105mm f/4.0 lens is well crafted, with high-quality materials, and feels rock-solid when you hold it.

Tamron 70-200mm f/2.8 is constructed with 23 elements in 17 groups, with nine rounded diaphragm blades. It has an angle of view of 34° 21′ to 12° 21′ and a maximum magnification of 0,16x. It sports optical image stabilization and a rotating and removing tripod collar. One of the reasons why it made the best lens product photography list is the moisture-proof and dust-resistant construction, along with a fluorine coat for protection.

During the testing phase, I noticed that the lens offers outstanding focus capabilities with a responsive and silent system. When I was shooting products with IS or VC, it worked properly. Unfortunately, the manual/autofocus and VC buttons are crammed together, so it happened to me multiple times that I missed the control I wanted.

On the other hand:

The image quality is mesmerizing and comparable to much costlier competitors from Canon or Nikon. The focal length range of 70-200mm is sufficient to satisfy the needs of almost every product photographer since you will have various choices to choose how you want to shoot your subject.

Color distribution and contrast are pretty good, too, and ghosting and flare issues are almost nonexistent. The lens design is solid and sturdy, but the problem emerges with the lens hood, which feels cheap and fragile.

Verdict

Having a camera lens for product photography is imperative for photographers and business people who want to ensure the maximum usage of modern marketing. As you can see, no matter your shooting style, it is possible to get solid optics from various manufacturers.

Having good gear makes the job easier for the kind of products you want to take pictures of. Feel free to choose any of the lenses from the list; your business will certainly boom.

After reading this article and learning something new, it’s time to choose a lens that will boost your photography. If you’re still unsure which lens is best for you, we recommend trying this one.

You can check out some of our other guides, such as the lens guide for fashion photography and the five best lenses for jewelry photography.

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• Car Photography Lenses
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• Jewelry Photography Lenses
• Food Photography Lenses
• Macro Photography Lenses
• Product Photography Lenses
• Underwater Photography Lenses