For this reason, I decided to make things simple and make a guide that will guide you to your final destination – The best Nikon D300 lens in 2024.

There are five most essential lens types:

• Macro lenses
• Wide-Angle lenses
• Prime lenses
• All-In-One lenses
• Telephoto lenses

Today I am going to talk about some of the most valuable Nikon D300 lenses, so feel free to browse away:

Here are the results!

Best for Low-Light photography

Capturing ‘that’ moment in poorly-lit ambient is near impossible without a proper lens. Luckily, Nikon’s AF-S 35mm f/1.8G is more than capable of tackling the issue.

It features integrated autofocus, boasts a 35 mm focal range, excels in low-light conditions, and it’s pretty light in general.

Although its aperture and zooming properties aren’t top-notch, this lens offers exceptional manual focusing, rapid aperture response, and fast, reliable autofocus, among other things.

It should also be noted that this is a budget Nikon lens, so it can always be used as a backup.

Best for Macro photography

Macro photography is where only a handful of lenses can be used. You’ll need a model that offers superb aperture and focal length, and the first thing that comes to mind is the Sigma 105mm f/2.8 Nikon lens.

This lens features a 105mm focal range and f2.8 aperture, although it doesn’t offer any magnification whatsoever.

Luckily:

You won’t even need it for macro photography, which means that this lens doesn’t present any pitfalls and tradeoffs.

It’s pretty heavy, but its durability and the fact that it is weather-sealed go a long way, providing a drastic boon to its overall value for the money.

While we’re at it, the Sigma 105mm packs a massive punch for the buck.

Best for Sports Videography

• Lens Type: Wide Angle
• Mounting Type: Canon EF
• Focal Length Range: 17-35mm
• Minimum Focus Distance: 0.28 meters (11 inches)
• Weight: 1.01 pounds
• Dimensions: 3.54 x 3.29 x 3.29 inches

Filming live-action sports is much trickier than shooting footage of still objects.

Apart from the fact that your target(s) will always be on the move, you’ll need adequate image stabilization to eliminate the potential blurring problems.

Tamron 17-35mm f/2.8-4 is an excellent choice for sports videography. It features exceptional built-in autofocus; its performance does not change drastically while zooming (and focusing), and its precise tracking is why most sports filmmakers value it.

Additionally, its variable aperture is easily one of the most significant advantages it has to offer. It’s versatile enough to handle filming footage of close-up fast-paced sports footage and take long-range clips with brilliant precision and pristine clarity.

Best for Close-Up photography

Close-up photography requires a lens that can provide a good mix of high-quality autofocus and image stabilization. More importantly, you’ll need a lens with superior close-distance shooting capability.

One of the most incredible things about the Nikon AF-S 24-70mm f2.8G is its minimum focus distance of approximately 0.38 meters.

It’s also a highly durable lens that boasts a weather-sealed shell; it offers a medium focal range and excellent optics.

The only thing people don’t like too much about it is that it weighs a ton (900 grams), but employing a tripod will quickly fix this issue.

Best for Interior photography

Most photographers know that a lens suitable for use under low-light conditions is also great for interior photography.

The AF Nikon 50mm f/1.8D is a budget and, by all means, a fundamental lens, but its lack of versatility makes it perfect for situations as ‘special’ as this.

You’ll be able to make adjustments on the fly, although you probably won’t need to because this lens sports an exceptional built-in autofocus feature.

Its super-integrated coating reinforces and boosts the quality of already-great optics, which means that it’s great for situations that demand accuracy, fast-tracking, and precision.

It is one of the best budget lenses for the Nikon D300 camera.

Best for Sports and Travel photography

• Lens Type: Telephoto
• Mounting Type: Nikon F (FX)
• Focal Length Range: 80-400mm
• Minimum Focus Distance: 5.7 feet (1.75 meters)
• Weight: Approximately 3.5 pounds (including tripod collar); 3.3 pounds (without tripod collar)
• Dimensions: Approximately 7.99 x 3.78 x 3.78 inches

Filming sports events and one’s travels is much different from taking photos. Sports and trips have one thing in common: certain highlight moments only offer you one opportunity to earn your shot.

To capture these moments accurately, you’ll need fast, reliable autofocus, above all other things. That’s precisely what Nikon 80-400mm f/4.5-5.6D will be able to provide for you.

This is probably one of the most substantial Nikon lenses on the market. Still, it compensates for this little flaw with optimal minimal focus distance, excellent optics, superb image stabilization, and one of the best autofocus features of this brand.

Again, you will undoubtedly notice that it’s massive but pricey. Still, it also boasts various top-shelf features to contrast these drawbacks, such as the tripod collar and the focus-distance limiter.

It will suffice to say that this lens offers a substantially higher versatility level than most boutique Nikon lenses.

Best for Night photography

Taking photos of the night sky, the beauty of the stars, or the moonlit trees’ elegance is challenging and virtually impossible without a lens suitable for night photography.

Even though Nikon’s 50mm f1.4G is relatively inexpensive and works like a charm for capturing photos in the dark, according to some poorly-rounded glass.

It boasts built-in autofocus, easy manual focus adjustments, and a fast aperture.

It rocks a high-quality ring-type ultrasonic motor, eight optical elements, and seven visual groups.

Even though it lacks image stabilization features, it’s still one of the most excellent standard-prime Nikon lenses for the D300.

Best for Architectural photography

Next, we have Nikon AF-S Nikkor 16-35mm f/4G lens for Nikon D300. This is essentially the Jack of all trades in the Nikon world.

It features a weather-sealed frame, superb image stabilization, built-in autofocus, and excellent internal focusing, and it works well in pretty much every situation.

It rocks seventeen optical elements, twelve optical groups, and five particular elements, and its only downfall seems to be its weight.

It’s so great for architectural photography that it can tackle any target, regardless of size or complexity.

Best for Landscape photography

Let’s wrap it up with Tamron SP 150-600mm f/5-6.3 lens.

Essentially, this is the ultimate Nikon D300 lens that is the best lens for landscape photography.

It features excellent image stabilization, FT manual focusing, a tripod collar, and exceptional optical quality, but it’s pretty heavy.

That’s its only downside: it offers excellent value for the money.

Tips for Getting the Most from Your Nikon D300 Lenses:

• Utilize the crop factor. With the D300’s 1.5x crop, telephoto lenses become even more telephoto. A 200mm acts like 300mm!

• Use fast shutter speeds. The D300 lacks image stabilization, so use speeds around 1/focal length to reduce blur from camera shake.

• Employ fast prime lenses for sharpness and bokeh. Primes like 50mm f/1.8 excel due to their wide apertures and simplicity.

• Clean lenses and sensors frequently. Dust on glass elements can reduce image sharpness. Use proper cleaning techniques.

• Use lens hoods to control flare. Hoods prevent stray light from hitting the lens and causing reduced contrast and ghosting.

• Fine-tune autofocus for accuracy. Use AF Fine Tune to calibrate lenses to the D300’s sensor for perfectly sharp shots.

• Balance size/weight for handholding. Smaller primes can be handheld more easily than large telephotos, which benefit from monopods.

• Consider weather sealing for outdoor shooting. Lenses like the 24-70mm f/2.8 have weather sealing for humidity and dust resistance.

• Learn skills like panning, HDR, and timelapses to maximize the D300’s capabilities.

• Use lower ISOs when possible to minimize noise. The D300 has great high ISO performance but lower ISOs look even cleaner.

Nikon D300 Lenses – Wrapping Up

One of the best things about Nikon lenses is that you have many models to choose from.

Deciding which one is best for you is tricky, but luckily, you’ll be able to find what you were looking for in our reviews.

I hope this Nikon D300 lens guide helped you make the right decision. Check out this Nikon lens if you are still unsure what the right lens is.

Feel free to post comments below for any questions, and I will do my best to help you pick the right lens.

You can also read other guides on our website, such as the Nikon D500 lens guide and manual for Nikon D5000 lenses.

Happy shooting!

More Nikon Dxx Series guides:

• Nikon D40 lenses
• Nikon D40x lenses
• Nikon D50 lenses
• Nikon D60 lenses
• Nikon D70 lenses
• Nikon D80 lenses
• Nikon D90 lenses
• Nikon D100 lenses
• Nikon D200 lenses
• Nikon D300 lenses