What would you say if I told you that it is possible to have a camera that combines flagship and mid-tier characteristics in one body? Would you think it is feasible? If you answered positively, then you will agree with my opinion:
Nikon DF camera is the perfect combination of both worlds!
It comes in with 16 Mpx full-frame CMOS sensor (the one Nikon used in their flagship, D4), and the autofocus system imported from relatively cheaper, Nikon D610. What I also like is the fact that the design is a tribute to earlier film cameras.
Of course, it is an entirely new camera with no other connections to old-style pieces, except for the looks. Besides a full-frame sensor, it comes with ISO range from 100 to 25,600, maximum 5,5FPS continuous shooting, and a 39-point autofocus system.
Nikon AF-S FX Nikkor 50 mm f/1.4G is a lens of fantastic quality. The depth of field and bokeh effect with smooth transition between subjects and background.
It is, by far, the best around f/2 for achieving smooth bokeh and sharp section, separately. I did go lower to f/1.4, but the difference was barely noticeable.
It is incredible to see how much light this lens can absorb even at large apertures. I didn’t face any problems photographing my subjects indoors even with dim light.
Color rendition is much better compared to other lenses I tested this time. In terms of autofocus, I didn’t notice issues, both indoors and outdoors.
Some users reported autofocus issues from time to time. However, during extensive testing, I didn’t face any trouble whatsoever. It focused quickly and accurately every time.
Speaking of design, it has stable quality, solid ergonomics, and it resembles the G prime lens series.
- Excellent balance of contrast
- You can open it up to f1.4
- Fast, bright and sharp
- Great low-light performance
- No aperture ring
- Color fringing is noticeable
Best Wide-Angle Lens for Landscapes
Let’s start with ergonomy. Tamron AFA012N700 SP 15-30 mm f/2.8 Di VC is a beast in the world of lenses. It is heavy and massive, much more compared to the competition from Nikon and Tokina. It balances nicely between size and smooth operating. It packs nice zoom and focusing rings that move with precision.
Markings are an excellent cut, from 15 to 30 mm, so it easy to choose a desired focal length. In terms of shutter speed, it is a tremendously usable f/2.8, and it has an excellent performance in edges and corners, with no vignetting nor chromatic aberrations.
Tamron lens showed the best results in terms of distortion, even with maximum focal length and excellent vibration image stabilization.
Also, it provided high sharpness, even at f/2.8, so all of the images I took proved to be rendered in high-quality, with very sharp lines.
Also, taking shots in different focal range turned out to be great as well, since I didn’t face any focus issues at any given focal length, which I was delighted to see.
- Great value for the money
- Good control over vignetting
- Minimal chromatic aberrations
- Excellent central sharpness
- Barrel distortion at 15 mm
- Big and heavy
Best All-Around lens for everyday photography
My favorite all-around lens for this occasion is Nikon AF-S FX NIKKOR 24-120 mm f/4G ED. The first image I took with it looked good on the LCD screen, so I had to put it on my PC screen.
It was still a stunning photo, extraordinarily sharp and with no aberrations. I have switched everything, from as low as 24 to as high as 120 mm, and I was thrilled with picture quality.
I would dare say it is a perfect choice for wanderers since it is a great all-around lens if you accept it as a heavy lens. They deliver crisp and sharp images, paired with a beautiful bokeh effect, especially at 120 mm and f/4. It is a versatile lens, and it can be used as a concert or indoor lens, due to its low-light focus performance.
It is a fantastic piece of optical manufacture. Pictures come out sharp and have a beautiful color palette and range of tones which I like. The downside is the size of the lens. It is quite heavy, and you won’t notice the difference between this and some 300 mm lens, which can discourage many buyers.
- Vibration reduction works well
- Comes with lens hood
- Pro level color and contrast
- Center sharpness is very good
- Color fringing
- Sharpness fade on the edges
Best Telephoto Lens for Wildlife Photography
Sigma 70-200 mm f/2.8 APO EX DG HSM OS FLD incorporates optical stabilization function, manufactured by Sigma, covering a focal length from 70 mm to 200 mm.
It comes with an aperture of f/2.8. Optical stabilization makes shooting portraits and sports a piece of cake since it offers the use of shutter speed around four stops lower than it would be possible without it.
Lens also comes with a built-in hypersonic motor, which makes sure the autofocus is quiet, and it also ensures manual focus capability at all times. Glass elements in the lens provide excellent correction of any aberrations, and I second this because I didn’t face any aberration-related issues. The pictures come out sharp and crisp, even at the highest zoom.
The selling point of the lens is the constant f/2.8 across the whole zoom range. I took great photos with it, even with just an ambient light long after the dusk.
Also, my praises go to the bokeh effect as well, details are superb, and the transition is smooth. The only downside is size and weight. But, considering all the pros, it is a con you’ll have no problem dealing with.
- Useable Focal Length
- Long zoom and good colors
- Metal mount gives a sturdy feel
- Performs well with proper lighting
- Mediocre low-light performance
Best Macro Lens for Macro Photography
Nikon AF-S DX Micro-NIKKOR 40 mm f/2.8G performed the best out of all macro lenses. Dust and waterproof sealing mount in any lens is a plus, especially for macro, since I love to go out in the rain capture raindrops close-up.
I also love SWM for fast, ultra-quick performance, which comes in handy in quiet environments when you want to photograph insects.
What I noticed first and foremost is the possibility of a quick switch between manual and autofocus modes. Sometimes I saw little trouble with focusing on the subject if I’m too close to it, but I solved the issue by manually choosing and letting the autofocus do the rest. I wasn’t disappointed with the image quality.
At the minimum distance from the subject, this lens can cause some unwanted shadows, so you might want to consider using a flash or artificial light to avoid it. F/2.8 showed excellent results in low-light conditions, such as rain, while I was deep into the woods shooting raindrops.
It is an excellent choice for the price, and it can also be used as a portrait lens.
- Great manual focus feel
- Macro feature works like a charm
- Lens is lightweight
- f/2.8 is great for general photography
- Auto-focus performance in low-light
- You must get close to subject for 1:1
Best lenses for Nikon Df – Wrapping Up
Nikon DF is a great camera in terms of technical capabilities. It will serve everyone, but it is aimed at those who want the retro style, but who still want to achieve high-end performance with a full-frame sensor.
DF is generally one of the most beautiful cameras you will encounter, and with the lenses I recommended, you will take your retro Nikon to new heights in terms of photo quality.
Hopefully this guide helped you make the right decision. If so, kindly share it with your friends using buttons below. Enjoy in your new lens!