Have you ever wanted to own the best lens for interior photography?
If you ever had to sell a property or work in the real estate business, the chances are you have. It is paramount to have excellent gear if you want to succeed in the market.
I am capturing wide angles, especially with high ceilings.
Moreover, many artistic photography niches are starting to emerge from interior photography, so it is increasingly important to get proper lenses to stay relevant.
That said, the internet still lags in offering many helpful guides to help photographers get their hands on top-notch glass.
With that notion in mind, I have decided to create the ultimate guide to lenses aimed straight at interiors to help fellow cameramen and women navigate the market.
Exceptional versatility with brilliant image quality and a wide aperture for stunning shots. A must-have for professional photographers.
A remarkable combination of sharpness and versatility. Capture breathtaking landscapes and architecture with precision and clarity.
Affordable excellence in a compact package. Ideal for capturing impressive wide-angle shots and suitable for photographers on a budget.
Canon offers an optical design of 16 elements in 11 groups, with eight rounded diaphragm blades. The angle of view sets at 84 degrees, with a tilt of +/- 8,5 degrees and a shift of +/-12mm. The maximum magnification is 0,34x, with a minimum focus distance of 8,27 inches. Although it doesn’t have optical image stabilization, the fast aperture ensures positive low-light performance.
One of the reasons I put this Canon 24mm f/3.5 on the best interior photography lenses list is the optical achievement – shifting the lens doesn’t create any vignetting, and it offers a significant amount of sharpness and extraordinary image quality. It provides an extensive picture circle, and it performs pretty well. Although tilt shifting can reduce the overall image quality, the lens has such a resolution that it can spare some pixels.
It doesn’t zoom, nor is it too fast, but it is a specialized lens for architecture and interior design photography. The focus system is relatively silent, but it is very accurate and didn’t cause jamming issues.
The color transmission of this best Canon lens for indoor photography is excellent, and even when you do tilt and shift, it doesn’t compromise the quality of a color palette. Design-wise, it is the “L” grade quality with fine materials used in the manufacture, with excellent finish touch and overall robustness.
- Tilt & Shift
- Fast focus
- Excellent design
- Lack of OIS
Wide angle lens for interior photography comes with an optical design of 17 elements in 12 groups, with nine rounded diaphragm blades. The angle of view is 107° to 63°, with a minimum focus distance of 11,42 inches and a maximum magnification of 0,25x.
The lens also sports optical image stabilization (VR II), ensuring stabilization of up to four stops. The critical reason that influenced my decision to include it on the best lens for interior photography list is the complete reduction of ghosting (compared to many competitors).
I could shoot interiors pointing directly at the sun without dealing with ghosting and flare. Another excellent thing about this best lens for indoor photography Nikon regards optical image stabilization. It allowed me to sharpen things up, although it is not vital in interior photography unless you are shooting videos.
On that note, focusing is relatively silent and razor-sharp, and when you combine it with the VR II, it is possible to shoot indoor videos, which is convenient for real estate images.
The color rendering is fantastic, and the lens does a phenomenal job of presenting colors in a realistic yet lively manner. You may notice edge softness when you shoot at 16mm, and your subject is relatively close. However, it completely disappears at another focal length or when you move away. The Nikon 16-35mm f/4 lens is made out of plastic, and it feels light and compact, and the compromise between robustness and compactness is well managed.
- Fast focusing
- Optical solutions
- Narrow aperture
- Lens Type: Wide Angle
- Mounting Type: Sony E
- Focal Length Range: 14-24mm
- Minimum Focus Distance: 0.28 m
- Weight: 1.75 pounds
- Dimensions: 5.5 x 3.35 x 9.1 inches
Sigma offers an optical design of 17 elements in 11 groups, with nine rounded diaphragm blades. The angle of view is 114.2° to 84.1°, with a minimum focus distance of 10.24″ and a maximum magnification of 0,19x. The Sigma 14-24mm f/2.8 lens doesn’t sport optical image stabilization, but the fast aperture of an f/2.8 makes sure the low light situations are well managed.
One of the reasons why I put it the best lens for interior photography is the focal length. It has enabled me to capture fantastic interior shots, especially in cramped spaces that are difficult to approach. I could quickly get specific indoor features when I moved to the opposite end.
Equally important is the color transmission that can combat even more expensive competition. The color palette is natural, with solid contrast and no edge softness or corner vignetting issues.
They are present, but only at 14mm and a maximum opening. The sharpness is good, even at an f/2.8, but it stands out if you step down a few notches. Focusing is another point that deserves praise.
The pro tip is to find the focal point the camera can notice under dim lighting. Focusing with this ultra-wide lens is excellent, and most of the frame is in focus nearly all the time. Although heavy, the design is top-notch, so it is a bargain worth considering.
- Focal length
- Fast aperture
- Great focus
- Lack of OIS
The fourth contender on the list has an optical design of 18 elements in 13 groups, with nine rounded diaphragm blades. The angle of view is 110° 32′ to 71° 35′, with a minimum focus distance of 11,02 inches and a maximum magnification of 0,2x. The Tamron 15-30mm F/2.8 lens also has optical image stabilization that ensures 4,5 stops of image stabilization and a moisture-resistant design.
The overall user experience and the quality Tamron deliver is the key factor that put it on the interior photography lens list. The general sharpness is magnificent, even at the maximum opening, and it gets even sharper a few notches stepped down. The focal length is sufficient to capture almost anything related to the interior, even when dealing with rooms with high ceilings and lots of furniture.
The 15mm is sufficient to frame crammed space, and the combination of optical image stabilization and fast aperture ensures solid performance under dim light. I was also impressed by the edge-to-edge sharpness, even at 15mm, resulting in negligible chromatic aberrations and vignetting.
It is also possible to shoot directly at the sun (or other light sources) because the lens efficiently manages flare and ghosting. The only drawback is the weight. It is big and heavy, so using it in long photo sessions or without a tripod can be tricky.
- Fast aperture
- Robust design
- Big and heavy
Sony’s gem sports an optical design of 12 elements in 10 groups, with seven rounded diaphragm blades. The angle of view is 107°-63°, with a minimum focus distance of 0,92 feet and a maximum magnification of 0,19x.
The Sony 16-35mm f/4 lens also has built-in optical image stabilization and dust and moisture-resistant design. The main reason it is on the best lens for interior photography list is its wide-angle capabilities. I used it to shoot generally at 20mm and even 30mm when testing in larger homes.
Moreover, I tried testing it for videos since it has an OIS, and I was pretty content with the result. Regarding videos, a pro tip is to use the shutter priority mode when filming because it reduces the amount of light entering the sensor.
Continuous focus works flawlessly when filming the interiors of the house. The sharpness is excellent, and the results are impressive, even at the maximum opening.
Color rendering is another crucial point since they look vibrant yet, natural. At the extreme the focal length ends, it is possible to notice vignetting and barrel distortion. Luckily, they can be removed in post-production. The aperture is relatively modest, but for interior or general photography, it does a fair job, especially since the lens has OIS. The design is solid, and it feels good in your hands.
- Fast focus
- General sharpness
- Narrow aperture
Navigating the market can be a real ordeal when you want to buy the best lenses for interior photography. On the other hand, as you have seen, it is possible to make the task less daunting with the help of proper guidance.
There are many choices on the market, and no matter what is your photography style (or preferred brand), if you choose any of these lenses, your portfolio will reach new heights in no time.
I hope this article has helped you find the best interior photography lenses. Check out this option if you’re still unsure which lens to get.
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