It can be a difficult task to find the best lens for Sony A5000.
Not because there are no quality optics but due to the lack of helpful guides online.
Since the tide is changing in favor of mirrorless cameras, the makes and for mirrorless lenses are increasing.
If you decide which Sony A5000 lens to buy, you are at the right place. I’ve made the shortlist of the five best lenses to compliment Sony’s fleet’s most miniature interchangeable lens camera.
The Sony A5000 is a small, lightweight camera with a compact body, a 20 Mpx APS-C image sensor, and a built-in flash. The LCD screen can tilt 180 degrees, and the zoom lever on the camera body. It also features Auto Object Framing mode and built-in wireless sharing.
So what is the best Sony A5000 lens for each main category? Keep reading to find out!
Zeiss Touit 32mm f/1.8 has amazing focusing system that provides smooth and reliable focusing and also it has beautiful color rendering.
Zeiss Touit 32mm f/1.8 comes with an aspherical lens design that ensures consistent performance through the focusing range. The complex surface profile reduces aberrations when more efficient than the competition.
The focusing system of Zeiss lenses provides smooth and reliable focusing. On the other hand, the noise from the focus motor is not negligible if your aim is shooting videography. Therefore, I advise using an external microphone mounted off the camera.
Color rendering and contrast are beautiful with the lens, making it probably the best Sony A5000 lens in terms of color accuracy. I’ve tested it in various conditions, and I didn’t notice any flare. It produces genuinely beautiful portraits with mesmerizing bokeh.
It focuses pretty well on the petals and wings of insects. The lens is relatively fast and responsive, and I got great shots even at the maximum opening. It is not weather resistant, so be vary if you plan to take it into deep woods for insect macro shots.
- Large aperture
- Super-sharp images
- Beautiful bokeh
- Not weather-resistant
Best Wide-Angle Lens for Landscapes and Urban areas
This lens has beautiful renedring and keeps the aberration at a minimum and since this is a light and compact lens it can be used without tripod.
Sony 28-70mm f/3.5-5.6 has a maximum magnification ratio of 0.19x. The lens has seven blades and built-in optical Steady Shot image stabilization.
Its hardware consists of three spherical elements and one ED glass element. It contributes to the beautiful rendering and keeps the aberration at a minimum. Since the lens is light and compact, it can be used without a tripod.
Furthermore, it has an excellent zooming range that allows one to provide different frames without switching between lenses. It is the finest Sony A5000 wide-angle lens because it is versatile enough for everyday use.
Although the variable aperture isn’t always perfect for indoor photography, Sony did a great job with this lens. The pictures I have taken with it are of high quality and can satisfy the everyday photographer’s needs.
If you decide to count pixels, you might feel disappointed. Images indeed look sharp, but since the lens is not professional, keep in mind that it is affordable.
- Decent zooming range
- Optical image stabilization
- Relatively limiting aperture
- Not the fastest lens
Best All-Around Lens For Everyday Photography
This Sony lens has a silent focus system and it also has a great design, being compact enough that you can shoot hand-held photos on the go.
Sony E 55-210mm f/4.5-6.3 has a minimum focus distance of 3.28 feet and a maximum magnification ratio of 0.23x.
The Angle of view is 29 °–7 ° 40′. The lens has seven aperture blades and optical Steady Shot TM image stabilization. I liked the direct manual focus with the focus ring that doesn’t rotate during autofocus.
The focus system is silent, which makes it a great candidate if you need a Sony A5000 video lens. The focal range of an f/4.5-6.3 is not perfect, but when combined with OSS, it is adequate.
Design-wise, the lens is compact enough to blend well with any compact camera. I tried the lens for astrophotography, got decent images of the Moon, and didn’t even mount the tripod.
The lens can operate pretty well under harsh conditions. If you combine the night sky with lousy lighting, I recommend using a tripod.
The only major issue I found with the lens is the indefinite focus ring. Sometimes it takes two complete rotations to focus from one point to another, so be vary if you use it for action movements.
- Focal length
- Optical image stabilization
- The focus sometimes takes time
Best Telephoto Lens For Wildlife Photography
Sony 70-200mm f/4 is an excellent telephoto lens with on point image stabilization that produces razor-sharp images.
Sony FE 70-200mm f/4 G sets the minimum focus distance at 1.5m with autofocus and 1.35m with manual focus. The maximum magnification ratio is 0.13x. The zoom and focus ring of the lens work without flaws.
They are silky smooth, and it is a pleasure to use them. Moreover, image stabilization is excellent. I didn’t have problems achieving pictures of flying birds at 200mm.
I tested the lens at the bar, during the nighttime, with relatively dim lighting. The aperture of an f/4 did pretty well, and I popped great-looking images, no matter which focal length I had chosen.
I mainly used it at 1/90 of the shutter speed with an f/4. The focus is relatively fast and reasonably quiet. The only major issue relates to design. The sliders are too easy to slide. If you carry the lens on your shoulders, it will slide around.
On the other hand, the general design of the lens is excellent. Since it is a telephoto lens, I am amazed by how light it is. Images look sharp and crisp. Although it doesn’t compare to an f/2.8 counterpart, the image quality is still high, with much less bulk to carry.
- Optical image stabilization
- Focal length
- Fast focusing
- Sliders are poorly designed
Best Macro Lens For Macro Photography
This lens is fast and responsive and it has excellent image stabilization, while also producing great looking photos in most situations.
Sony 30mm f/3.5 E Macro sets the minimum focusing distance of only 9.75cm and 1:1 magnification. It comprises six groups in seven elements, with an internal stepping motor. The lens offers a phenomenal performance at all apertures.
Moreover, it does a much better job compared to many zooming lenses that start deteriorating at smaller apertures. I like the autofocus, which, although not necessary for macro photography, certainly helps.
It is fast, responsive, and doesn’t interrupt the video with motor noise. IImage stabilization is also an excellent feature since it allows groundwork without a tripod.
On the other hand:
Since the lens is not the fastest around, using a tripod certainly helps because vibration affects the image quality. It does a spectacular job when the lighting is good and decent when it is terrible.
I would say it is the best macro Sony A5000 lens for the price it comes at.
- Great focusing
- Optical image stabilization
- Limiting aperture
Best Lenses for Sony A5000 – Verdict
My prediction is that Sony will continue manufacturing excellent optics in the future. It was no easy task to create the list of best lenses for the Sony A5000, but I hope it will help your search.
The accent was on achieving a compromise between professional and hobby Sony A5000 lenses. But no matter which you choose, it will elevate your photography skills.
If you are unsure what lens is right for you, please comment below, and I will help you choose the right one.
Also, read other similar guides, such as the guide for Sony A6400 lenses and the Sony A6300 lens guide.
Hi, I would like shooting for sport – running in day and night time, which lens is best for it? Your help is much appreciated. Thank you
I recommend the Sony 55-210mm f/4.5-6.3 OSS lens for shooting sports such as running day and night. This versatile lens features Optical SteadyShot image stabilization that minimizes camera shake and blur, allowing you to capture beautiful images no matter how quickly your subject moves. Its fast aperture of f/4.5-6.3 ensures superior results in low-light situations!
Thank you so much for this concise and useful post! I am just getting back into photography, and decided the best course of action would be to by a lens for Sony A5000 to play around with before upgrading. I was so overwhelmed with options, knowing which lens suited my photography goals, and what would be suited to this compact camera. You really saved me a lot of time!
I’m glad this post helped you. If you have any questions about these lenses, feel free to ask.
Hello, I am an aspiring photographer and adventurer so i want to keep my camera equipment as compact as possible while still bringing quality photos to the table. 90 percent of my photos are landscapes. Right now I’m using a 16mmf2.8 pancake lens that i got off my uncle. It’s really compact and i manage to get some really decent photo’s out of it. But it suffers in low light conditions and can’t handle macro at all. I’d like an all round lens that won’t break the bank. I think the sony 28-70mm would be best for me? Anyway let me know what you think and thanks in advance!!!
Yes, I believe the 28-70mm would work best for you.
I want to get into branding/family portrait photography, I have a Sony a5000 that came with a E PZ 16-50mm F3.5-5.6 OSS lense. Wondering what lense is should get to start a little business? Looking to upgrade my camera later possibly to a full frame. Don’t want to break the bank on a lense but I’m okay to spend around $500 to start. Any tips?
Hey Maddie–good question! To take your brand & family photography up a notch, I recommend getting the Sony 50mm f/1.8 OSS lens – wide aperture at f/1.8 helps capture stunning images in dimly lit environments with excellent shallow depth-of-field shots that will give your pictures some extra oomph They don’t come cheap though but at around $250, it’s one bargain not to miss out on! If you fancy something more adaptable, try out the Sony E 35mm f/1.8 OSS lens instead – while still offering excellent image quality, this one may suit different types of photography better too!
Hi there, I’m trying to figure out what lens to get to do night event photography- specifically djs- so lots of lights and fast movement, usually at night. Thank you in advance. Complete novice, bought an a5000 and wondered why photos weren’t that impressive- not realizing that the lens is everything..
And noting that at this point most shows are small and I will always be able to get into very close range with my “subjects”
A good choice of camera to start with.
Can you tell me what your budget is for buying lenses so I can give you the more precise information and help you choose the best lens?