Do you want to know what are the best Sony a7R III lenses in 2021?
Choosing the best lens for you can be a difficult task. The lens market is huge, and there are not enough real-world tests.
For this reason, this beginner’s friendly guide will show you everything you need to know about choosing Sony a7R III lenses.
The Sony a7R Mark III is a full-frame mirrorless camera with a 42.4 MPX BSI CMOS sensor.
It has faster processing and a shutter that allows for 10 FPS burst shots, while the face-lifted auto-focus gives way for improved subject tracking. The video can record at UHD 4K 30p, while the 1080/120p option is also available.
If you wonder how we can turn new addition from Sony into a serious high-end performing machine, check out the lenses I have tested out for you.
The Sony 85mm f/1.4 lens has a minimum focus distance of 2.79 feet and a maximum magnification ratio of x-0.13. The auto-focus is quite fast with this lens. During the test, I didn’t have problems with focusing.
However, the auto-focus system is a bit too loud for my taste, so even the microphone can pick it up. The lens produces gorgeous images. I believe this lens is the perfect choice for anyone who wants to have the best what one prime lens can offer.
The aperture of f/1.4 can genuinely make a difference when you are faced with low-light conditions.
I found a flaw with the bokeh system. It produces beautiful portraits. However, when shooting, the bokeh sometimes gets squashed instead of circular.
So, my recommendation would be to eliminate everything else but the subject in focus when you shoot portraits.
This Sony FE had an excellent performance when I did a handheld shooting in darker conditions, and the aperture was a big help since I didn’t have to notch up the ISO value.
If you put a price tag and auto-focus on the side, this lens has no other flaws, and it has my highest recommendation possible.
- Beautiful rendering
- Sharp pictures
- Fantastic bokeh effect
- Loud autofocus
Best Wide-Angle Lens for Landscapes and Urban areas
The minimum focus distance of 0.92 feet and a maximum magnification ratio of x-0.19 are traits that I love about Sony 16-35mm f/2.8. The constant f/2.8 aperture extends over a whole zoom range while 11 aperture blades ensure impressive bokeh effects with this lens.
The lens is an excellent choice for landscape photography since it provides sharpness across the frame and fast autofocus.
I didn’t face any problems regarding focusing, and the lens always provided precise focusing and zero chromatic aberrations while shooting.
It is a quality lens that you can use at wider angles to produce stunningly sharp photos with minimal distortion. The f/2.8 aperture ensures lots of light will enter the sensor for wide-angle details.
The lens comes with an 82 mm filter thread, which I see as an advantage, and it is also dust/moisture resistant.
The construction is excellent, and the best materials have been using in producing this lens. The weight is 1.5 lbs, which I find to be not too much for full-frame cameras. The only real disadvantage of this lens is the price, but since you will get a top-tier lens for the money, it is still a decent deal.
- Responsive autofocus
- Great image quality
- Premium package
- Lens extend at wider end
Best All-Around Lens For Everyday Photography
Sony 24-105mm f/4 comes with four aspherical and three ED glass elements that ensure edge-to-edge sharpness through the whole zoom range. What I liked about this lens is the depth of field you can achieve with it.
Thanks to a 9-blade circular aperture and constant f/4 aperture, you can get awesome looking images and beautiful bokeh.
This lens allowed me to take tack-sharp photos throughout the whole zoom range, without losing much quality.
I utilized a7 Mark III image stabilization with this lens, and it enabled me to use longer than average shutter speeds while still shooting from the hand.
Even in low-light conditions, the lens excelled, and it was up to the task without having to go for a higher ISO value. Color rendering on this lens is magnificent as well.
Ergonomically speaking, it is a bigger lens so that it might add some weight to your wrist. However, since it is a zoom lens that offers so much, it is a compromise that is easy to accept.
- Tack-sharp photos
- Beautiful bokeh
- Great low-light performance
Best Telephoto Lens For Wildlife Photography
Sony 70-300mm f/4.5-5-6 is built with a nano-precision structure and an optical Steady-Shot for clear images at the telephoto range.
Nine-blade circular aperture, as well as two ED elements, eradicate aberrations while four aspherical elements control aberrations. The image quality is astounding. All the details are tack-sharp and visible even on the telephoto end, while the bokeh is also high-end.
The optical image stabilization does a superb job in stabilizing the lens. I used it for a variety of handheld shots that turned out excellent.
I wouldn’t be able to do it without this lens or a tripod. Since the lens has a wide range and is quite versatile, you will be able to get good macro shots, since the maximum focus distance is three feet.
However, the lens is not without its drawback. When it comes to aperture, f/4.5-5.6 aperture means you need a lot of light or higher ISO to use if you decide to shoot wildlife.
The auto-focus sometimes missed a shot and did hunt on several occasions, but it was barely noticeable. This lens is quite heavy and robust, but the zoom range and the fact that it is a telephoto lens should make the size obvious.
- Excellent image stabilization
- Superb image quality
- Feels robust and sturdy
- Stiffness of the zoom ring
Best Macro Lens For Macro Photography
In the macro category, Sony 50mm f/2.8 lens proved to be the best. From the technical perspective, I like that this lens’s ED glass compensates for axial chromatic aberrations and has a distance scale and index, as well as a magnification scale.
Seven blade circular aperture design gives outstanding bokeh. From a physical perspective, the lens is robust and bulky. It is moisture-resistant and has a stylish design with a focus-hold button.
Aperture and ISO settings allow you to get the shutter when it needs to be. With a tripod, you’re ok, but if you are a beginner photographer, you will face some problems with focusing.
The auto-focus is not as fast as I was expecting, and at times, it proved to be inaccurate. The bokeh effect looks silky, and colors and contrast rendered in natural tones.
I managed to get a lot of good handheld macro photos, which would be a lot more complicated with a 90 mm or 100 mm macro lens.
The lens is plastic-based, but the material feels beautiful and reliable, so even though the lens falls in the cheaper category, the materials don’t.
- Manual focus mode works well
- Sharp images
- Smooth bokeh
- Autofocus can be inaccurate at times
Best Lenses for Sony a7R III – Verdict
I have truly enjoyed my time with The Sony a7R Mark III. For me, it is an outstanding camera with versatile photo shooting and videography.
I took lots of incredible photos with it, and this time Sony indeed did an excellent job in the mirrorless camera market. If you have any doubts about how good these lenses will go with your a7R Mark III, there is no more doubt.
Just pick any of the lenses according to your needs and take your photography to a new level.
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