Are you interested in upgrading to a newer Sony A7S II lenses?
Choosing the right lens is important, but there are not enough useful guides that will help you.
For this reason, I decided to write this guide that will show you everything you need to know about Sony A7S II lenses.
Sony A7S II owners already know that their camera of choice offers an ultra-high sensitive, wide dynamic range with a 5-axis image stabilization for greater shooting control. The hybrid mirrorless camera also comes with a 12 Mpx CMOS full-frame sensor, a max shutter speed of 1/8000 sec, and 3 inches LCD screen.
Sony A7S II also offers full-frame 4K video recorded internally and full HD of 120 fps at 100 Mbps.
These features are packed in a stylish, rugged body that has an appealing and charming look. What can be done to improve the performance of this camera further?
If you are one of the Sony A7S II owners who wonder about that, you have come to the right place.
Best Prime Lens For Portrait Photography
Sony 55mm f/1.8 has a diaphragm of nine rounded blades, with seven elements in five groups. The minimum focus distance is half a meter and an angle of view of 43 degrees.
The maximum magnification is 14x, and the minimum aperture is an f/22. Battery life for still images is approximately 530 shots. The first thing I noticed was the focusing movements that are precise and smooth.
Another excellent point is the bright aperture that ensures dreamy and smooth bokeh effects. I can’t say I don’t miss the optical image stabilization that the lens is lacking. Yet, I didn’t feel any wrong sides of its missing.
While the lens is not super-bright an f/1.2, the pictures I achieved with it are exquisite. All of the images appeared tack-sharp across the frame. Another awesome thing is the color rendering that seems like they have a unique 3D look.
My complaints mostly regard color aberrations and vignetting. However, both are manageable in post-production, but they are visible, especially at large openings.
In terms of design, I believe this lens is the perfect size for a small mirrorless professional system and has 99% of the image quality needed for everyone. It fits nicely into the bag, and it is relatively light. If you do not require a super an f/1.2, the matter’s lens is a perfect choice.
- Surreal color rendering
- Vivid colors
- Tack-sharp images
- Lack of optical image stabilization
Best Wide-Angle Lens for Landscapes and Urban areas
Sony 16-35mm f/4 comes with a Zeis T coating for flare and ghosting reduction. The lens sets the minimum focus distance at 0.28 m, with a maximum magnification ratio of 0.19x.
The put an f/4 aperture is constant throughout the zoom range, along with the Optical Steady Shot image stabilization. The lens is designed with 12 elements in 10 groups, and it has an angle of view of 107°-63° angle of view.
It also has a dust and moisture resistant design and a weight of 518 grams. The lens offers a broad range of capabilities. I used it for outdoor landscapes, as well for interiors.
The ability to zoom to 24 mm has been useful when I need not shoot the off-camera flash stands set up to light the scene and would otherwise creep into the field of view at a wider angle. In terms of image quality, the lens does not disappoint.
All across the frame, I achieved a crystal-clear image with an incredible amount of details. The image stabilization works fine as well. Unfortunately, the lens suffers from barrel distortion, as most of the wide-angle lenses do.
However, the problem can be mitigated in post-production. I’ve tested the lens for videos, too. If you have a tripod, you will utilize shutter speeds combined with a substantial aperture to get excellent videos.
- Crystal-clear images
- Dust and moisture resistant
- Great image stabilization
- Some barrel distortion
Best All-Around Lens For Everyday Photography
Sony 24-240mm f/3.5-6.3 has a 10x magnification ratio and optical Steady Shot image stabilization for an improved handheld shooting experience.
The minimum focus distance is 0.5 m to 0.8 m. Five spherical elements work to create edge-to-edge sharpness, while the ED glass elements reduce flare and ghosting. The seven-blade circular aperture contributes to a gorgeous bokeh effect.
Fast-focusing is ensured with a linear motor drive and an inner focusing mechanism. The lens is dust and moisture resistant.
The lens in matter works best in bright environments. It does not-so-well in low light if you try to keep your ISO down or use a higher shutter speed. It hunts for focus in those situations. I had a fun time testing the lens in city environments.
I achieved razor-sharp images of cities during the day, with lots of well-preserved details. The general image quality is solid, with exquisite, well-saturated colors and broad focal length coverage.
Optical image stabilization is satisfactory, and handheld shooting is excellent, except under extremely challenging conditions.
Excellent points come in the form of design as well. The lens is built of high-quality materials, with a friendly, rigid zoom ring and materials that prevent censor exposures to wind and debris.
Unfortunately, the lens is bulky and heavy, which may deter some users from a purchase.
- Gorgeous bokeh effect
- Fast focus
- Razor-sharp images
- Bulky and heavy
Best Telephoto Lens For Wildlife Photography
Sony 70-200mm f/4 lens is a solid choice for wildlife and telephoto photography due to its overall focal length. I mainly used it during daylight, and I was delighted by the photo quality.
The optical image stabilization does an extraordinary job in stabilizing images during handheld shooting. On the other hand, for serious photo sessions, I recommend mounting a tripod.
It can happen that due to the limited aperture, you get blurry and defocused image during lowlight conditions. Focusing works an excellent job in broad daylight, no matter the shutter speed.
The image quality is exquisite, as well. All of the pictures appeared tack-sharp, combined with high contrast. Perhaps surprisingly for a telephoto lens, but I was able to capture beautiful portraits all along the way.
Bokeh effects appear dreamy and provide excellent subject separation and smooth, defocused backgrounds. The built quality of the lens is reliable. It feels useful in hands, with a superior overall design.
Although the lens doesn’t offer a high-end performance under lowlight conditions, its versatility and technical aspects of fast focus, image stabilization, and focal length are enough to satisfy almost anyone.
- Dreamy bokeh effect
- Great build quality
- Photo quality
- Low-light performance could be better
Best Macro Lens For Macro Photography
Zeiss Batis 85mm f/1.8 is a robust lens with a weatherproof metal construction designed to keep out dust and water spray.
The lens comes with an innovative OLED display that ensures excellent performance in lowlight situations. The autofocus of the lens is designed to create smooth-running focusing that meets all the modern requirements.
The first thing I noticed was the extreme sharpness of the lens. All of the details appear vivid and alive, especially if one accounts for the 3D dimensionality that pops on the screen. I can shoot gigantic panoramas with the camera setup vertically and grab many details of buildings.
I’ve shot birds off at a medium-range using Super35 to get some extra reach and decent results. The background melts away in bokeh or when I dialed the aperture down to get more surrounding detail; it’s all very smooth.
Autofocus and auto eye focus are pretty fast, and the manual focus is decent, but I wish the ring were more textured. Focus assist and peeking helped me a lot to manually get tack sharp pictures with eyes in focus. The design of the lens is robust and eye-pleasing, as I was expecting from a Zeiss lens.
- OLED display
- Accurate autofocusing system
- Good low-light performance
- Presence of vignetting
Best Lenses for Sony A7S II – Verdict
Sony A7S II is an incredible, mirrorless hybrid camera that offers both still and video performance. During the testing, it proved to be an excellent component of my photographic, technical set. The camera provides a broad range of possibilities to capture incredible photos.
However, like most cameras, its kit lens has its limitations. If you genuinely want to reach the photographic peak of A7 S II, you will need to get a high-quality set of lenses.
Since you are reading the article, feel free to refer to any of the list’s lenses, and make the right choice.
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