Sony A7R is virtually the same as the A7 camera in design and appearance, with only differences in sensor and autofocus system.

Since Sony A7R photographers like to boost performance and compact design, it is no wonder they are looking for high-quality Sony A7R lenses to complement their cameras.

If you search for outstanding optics that pack performance and design for your Sony A7R, you’ve come to the right place. I did extensive testing to find the best lenses for your Sony A7R camera.

Best Prime Lens For Portrait Photography

Sony 55mm f/1.8 is a full-frame lens with nine diaphragm rounded blades, with five elements in seven groups.

The filter diameter is 49 mm, with a minimum focus distance of 0,5 meters and an angle of view of 43 degrees. The lens supports magnification 14 times and has the tiniest opening of an f/22.

In terms of design:

The lens comes in a small, light package, and I was surprised by how compact it was. The next big thing is the color rendering, which seems surreal.

Pictures popped up, with vividly rendered colors all across the palette. Although the lens has a wide aperture, images appear tack-sharp with preserved details across the scene, even at the maximum opening.

Daytime outdoor photos came out extremely sharp. Indoors, I could shoot without flash for more pleasing images that captured the ambiance.

Focusing movements are precise and smooth, with a focusing system that responds exceptionally well and does not disappoint, no matter the lighting conditions.

One noticeable omission is a lack of optical image stabilization (OSS) built into this Sony A7R prime lens. Being a short and small-statured lens means that some minor caveats exist, most noticeable being color aberrations and corner vignetting.

However, both are controlled very well but show their presence, especially at a wide opening.

Best Wide-Angle Lens for Landscapes and Urban areas

Sony FE 16-35mm f/2.8 wide-angle zoom lens sets the minimum focus distance at 0,28 m with a maximum magnification ratio of 0.19x.

The lens comes with 11 aperture blades and packs a G Master design, with an angle of view of 107°–63°, paired with two XA elements with high surface precision.

My first impression was that the lens is not too heavy or oversized, yet the weight is substantial when you pair it with A7R, and it is more noticeable if you use it for long periods.

On the positive side, the lens has an outstanding design using high-quality materials. The lens is weather-sealed, and it can withstand challenging environments.

Another excellent achievement is virtually no distortion on the lens; no matter the focal length, and the chromatic aberrations are nonexistent.

Furthermore:

The f/2.8 aperture is impressive since such wide lenses; Sony A7R usually doesn’t have the option of letting so much light hit the sensor.

The general image quality is superior, with excellent color rendering and sharp details across the frame.

One of the flaws I have noticed is the lens’s extension at the wider end and slight vignetting, but only if you use a filter.

Best All-Around Lens For Everyday Photography

Sony, 24-70mm f/4, has an angle of view of 84°-34°, with a minimum focus distance of 0,4 m, with a maximum magnification ratio of 0.20x, paired with seven aperture blades.

The lens uses Zeiss T anti-reflective coating to minimize flares. One of the best features of the lens is optical image stabilization. It allowed me to shoot at slower shutter speeds with little motion blur.

The lens showed an extraordinary performance at all focal lengths and apertures in sharpness. Another reliable feature is the Zeiss T coating that retains the subtle differentiation between hues, bringing a dash of 3D realism to images.

Furthermore:

24 mm opens the field of view, making it easy to capture the space. At the 70 mm end, it can produce a much shallower depth of field to serve as a portrait lens, and when working indoors, the 24-70 lets in more light, keeping the ISO from creating too much noise.

The additional light allowed me to double the shutter speed, making it easier to catch a clear photograph.

Another positive thing is the suitability of this lens for video recording, thanks to a fixed aperture throughout the zoom range. I was able to shoot videos without getting shifts in exposure time.

This all-in-one, Sony A7R lens is also weather-sealed, which is an excellent addition for outdoor enthusiasts.

Best Telephoto Lens For Wildlife Photography

Sony FE 70-200mm f/2.8 is an excellent sports and action photography lens.

It packs a Nanon AR coating for eliminating flare and ghosting, paired with a circular 11-blade aperture for superior, defocused blur.

The lens also has optical SteadyShot image stabilization and is dust- and moisture-resistant.

I particularly liked this lens’s superior range for sports and action scenes. I achieved excellent sharpness without unwanted blur when I photographed sports tracks with the lens.

The focusing system is responsive and accurate, no matter the lighting conditions or focal length chosen. The eye focus is so rapid and precise with this telephoto lens, which is the first thing I noticed when I tried using this lens for portraits.

The image quality is also excellent since all the pictures were sharp, with substantial detail preservation across the frame.

However:

I did notice traces of distortion and vignetting above 150 mm, but I was expecting it. Since it was quickly removed in post-production, I didn’t consider it harmful.

Optical image stabilization is another good addition. It allowed me to shoot in dim light without a tripod, and I still achieved excellent results. The only drawback of this telephoto lens for Sony A7R is its size and weight.

Best Macro Lens For Macro Photography

Sony FE 90mm f/2.8-22 lens comes with a Nano AR coating that suppresses reflections. The lens is weather-resistant since it can repel both dust and moisture.

The minimum focusing distance sets at 0,28 m with a maximum magnification ratio of 1.0x. The angle of view is 27-17 degrees, with a nine-blade circular aperture.

The lens has optical SteadyShot image stabilization, suitable for handheld shooting.

The direct drive SSM ensures silent and precise focusing, while advanced spherical and ED glass elements reduce flares and ghosting.

One of the best applications of this lens is its use in capturing small objects, even animals that move relatively fast. I am content with the lens since it produces insanely sharp pictures with mesmerizing detail preservation.

Furthermore:

I tried it for portraits, and it showed tangible results. The bokeh is quite pleasing, and if you stop down, you will achieve a beautiful depth of field.

In terms of colors and contrast, the lens delivers! The colors appear vivid, while the difference remains relatively high. The focus hold and OSS ON/OFF switches are tremendous and make this macro lens user-friendly.

Build quality is excellent. It feels perfect in hand, and the push-pull AF-MF changer is the best there ever can be.

Best Lenses for Sony A7R – Verdict

Sony A7R is an exquisite camera that continues the excellent Alpha series tradition.

During the testing, it offered excellent performance that surpassed its predecessor. Its recognizable, distinct design and superb optical and mechanical capabilities make it a perfect combination for a modern photographer.

However:

To truly bring the best out of A7R, photographers must mount superior lenses. Pick any of the Sony A7R lenses I have picked, and you are on your way to significantly enhancing your portfolio.

I hope this article helped you choose the Sony A7R lens best suited for your needs.

Comment below if you still have doubts about which lens is best for your unique situation. I will do my best to help you further choose the best lens for yourself.

Please browse our site as we have many similar articles, such as Sony A6500 lenses and Sony A7 lenses tutorial.

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