Sony has made its way into the DSLR area of expertise, with A9 being a mirrorless camera aimed at fast-paced actions.

Since the Sony A9 is a silent camera, it promises a lot in the field that favors quiet operations. A9 packs a 24 Mpx full-frame CMOS sensor, 20 fps continuous shooting with full AF, 5-axis image stabilization, and UHD 4k/24p recording.

The A9 is a great camera right off the bat. However, I presume photographers who own this gear already wonder how to improve it. If you continue reading the article, you will stumble upon the five best lenses that will take your A9 game to the next level.

Best Prime Lens For Portrait Photography

• Lens Type: Telephoto
• Mounting Type: Sony E
• Focal Length Range: 85 millimeters
• Minimum Focus Distance: 0.8 meters
• Weight: 1.05 pounds
• Dimensions: 3.6 x 3.6 x 3.6 inches

Zeiss Batis 85mm f/1.8 is a versatile, full-frame lens with excellent resolution and high contrast. The lens has a compact design that feels very good in the hands.

Its metal construction is weatherproof and allows one to keep out dust and water, so the lens is suitable for challenging environments.

One of the first things I have noticed is an innovative OLED display from which you can read the field’s focus distance and depth.

It is an excellent addition to low-light environments. The autofocusing system is, as always, extraordinarily responsive and accurate with Zeiss lenses. I never faced any problems regarding focus hunting, nor have I had issues with its performance under the low light.

During the testing, the lens in matter proved to be the best among the fierce competition. It rendered the night sky’s stars so sharp that I was stunned.

The bokeh effect is incredible since it is rounded and defocuses the backgrounds smoothly.

However, one downside I noticed is the presence of a pronounced vignetting. On the other hand, pictures appear exceptionally sharp, saturated, and vivid colors.

Considering the lens’s premium package and its exquisite performance, it is a must-have.

Best Wide-Angle Lens for Landscapes and Urban areas

Sony FE 16-35mm f/2.8 wide-angle zoom lens has two aspherical elements with high surface precision and a minimum focusing distance of 0,28 m. The maximum magnification is 0,19x, while the angle of view is 107°–63°, with 11 aperture blades for smooth, defocused backgrounds.

The lens package is premium, and the hood, lens front cap, lens rear cap, and case are included in the pack. One of the things I noticed right off the bat is the lens’s weight, which is considerable compared to other competing lenses.

Furthermore, the telescopic reverse zoom takes some getting used to. On the other hand, the lens has precise, accurate, and responsive autofocus and provides outstanding image quality.

The images taken at an f/2.8 and 16 mm are impressive. The lens takes so much light that I thought I had a fast prime in my hands for the second.

Furthermore, the lens provides extraordinary image quality across the frame, with sharp edges.

One of the downsides I must point out is that the lens does extend when you use the wider end. Not a big deal, but it would have been nice to have that in the body.

Best All-Around Lens For Everyday Photography

Sony, 24-70mm f/4, is a full-frame zoom lens with an angle of view of 84°-34° and a focusing distance of 0,4 m, while the maximum magnification sets at 0,20x.

The lens has seven aperture blades and uses an anti-reflective coating for glare reduction.

The lens is relatively small and compact, considering its considerable focal length. In terms of build quality and design, it shows decent results.

The lens feels good in hands with nice finishing lines and a stylish design. Optical image stabilization is an incredible addition to the lens’s arsenal. It allowed me to shoot at slower shutter speeds with little motion blur.

The focusing system is pinpoint accurate, with no ghost hunting. One of the minor issues is the relatively narrow aperture, but even at an f/4, I didn’t see any depth-of-field focusing problems.

Another great thing is my overall sharpness across the frame at all focal lengths. The only issues occur at 24 mm and 700 mm, but I could remove minor flaws with postproduction. Furthermore, the vignetting is almost non-noticeable, and I am yet to notice color distortions.

One of the lens’s drawbacks is the price, but it is a bargain for the deal one gets with getting the lens.

Best Telephoto Lens For Wildlife Photography

Sony FE 70-300mm f4.5-5.6 lens is a full-frame lens with Nano AR coating and optical Steady shot image stabilization.

The lens has two extra-dispersion common elements for reducing chromatic aberrations and a nine-blade circular aperture for silky smooth backgrounds. The close-up focus is three feet, which is exceptional.

One of the best things regarding the lens is the presence of excellent optical image stabilization. I achieved excellent picture quality without using a tripod, and it works equally well for telephoto and macro shots. Another great point is the superb image quality.

Lens flare is very well controlled, and I’ve not noticed any chromatic aberrations. The rendering of colors is satisfactory, with high contrast and natural, vivid colors.

The lens’s construction is exceptional and has a solid general design that feels robust and sturdy. It also has a nice finishing touch that is quite eye-pleasing. My only complaint is the stiffness of the zoom ring. Of course, the lens is quite heavy as well.

It also has a reprogrammable focus hold button and a zoom lock switch. The controller for auto and manual focus changes is convenient, and overall the lens is very ergonomic-friendly.

Best Macro Lens For Macro Photography

• Lens Type: Macro
• Mounting Type: Sony FE
• Focal Length Range: 50mm
• Minimum Focus Distance: 6.25 inches (0.16m)
• Weight: 8.3 ounces (0.52 pounds)
• Dimensions: 4.09 x 3.43 x 4.69 inches

Sony FE 50mm f/2.8 is a lens with 1:1 magnification and 0,16 minimum focusing distance. The angle of view is 47 degrees, and the lens packs a seven-blade aperture for stunning bokeh effects.

Its ED glass effectively compensates for chromatic aberrations. In terms of design, the lens is robust, reliable, and resistant to moisture.

It also has a focus-mode switch, a focus range limiter, and a focus hold button. Although the built quality is primarily plastic, the lens feels solid in the hands and does not give a cheap feel. Unfortunately, the autofocus is not the fastest and can sometimes be inaccurate.

Besides, it hunts in low lighting conditions, and a way around this is to learn to use the autofocus limiter switch on the camera’s barrel.

However:

The manual mode works extraordinarily well, and it is one of the selling points of this lens. The image quality is satisfactory. Pictures are rendered sharply even at an f/2.8, and I had no flaring issues when shooting in the sun and backlit photos, so it does its job.

Bokeh looks smooth, and the colors and contrast are decent. Furthermore, I got many good handheld macro photos without using a tripod, so the lens works well.

Best Lenses for Sony A9 – Verdict

Sony A9 represents the true beauty of both design and advanced engineering. The camera paves the way for mirrorless technology to enter the playing field of DSLRs.

Sony A9 offers an extraordinary performance even with a kit lens, but once you pair it with some of the most delicate aftermarket optics, it will truly shine.

If you are looking for a reasonable way to enhance your photo portfolio, opt out of any of the five lenses from the list, and you are good to go.

By now, you probably know which Sony A9 lens is best for you. For additional help, please comment below with details about your situation.

Also, visit other guides, such as articles about A6300 lenses and Sony A6500 lenses.

More Sony Full-Frame Alpha Series Lenses Guides:

• Sony A7 II Lenses
• Sony A7R IV Lenses
• Sony A7R III Lenses
• Sony A7 Lenses
• Sony A7S II Lenses
• Sony A7R Lenses
• Sony Alpha A7 III Lenses
• Sony A9 Lenses
• Sony A7R II Lenses
• Sony A7S Lenses
• Sony A7C Lenses