These are 5 MUST-HAVE lenses for Panasonic GX85 [In 2023] 📸

The Lumix DMC-GX85 itself packs a 16 Mpx Four-thirds MOS sensor, electromagnetically driven shutter, depth from defocus A.F., 5-axis image stabilization, and 4K video capabilities. Many will wonder how much space for improvement there is.

During the testing phase, I paired the camera with various lenses to determine which ones worked the best.

If you are looking for excellent optics to improve the camera’s performance further, continue reading because I prepared the five best lenses to sport your Panasonic!

Best Prime Lens For Portrait Photography

Olympus M. Zuiko 75mm f/1.8 has a 150 mm equivalent field of view, with a minimum focusing distance of 0.84 m. The lens packs Olympus’s Zuiko Extra-low reflection coating.

The lens is made out of metal and has an all-metal construction with an all-metal lens hood. In terms of picture quality, the lens sets standards.

All of the images taken with this lens appear very sharp across the frame, with extreme beauty in detailed rendering. The bokeh effects are lovely, with a surreal defocusing effect and intuitive separations between subjects and defocused areas.

The size is also tiny. I understand that simple physics determines the size, but Olympus did an excellent job creating a very unassuming lens with extremely high-end performance.

Color rendering and contrast are stunning, with vivid color distribution and super-contrast images. Since the aperture is wide, capturing captivating images under dim light while retaining the relatively low ISO value is possible.

Pictures are sharp even at an f/1.8; to achieve sharpness, I didn’t have to stop much lower. The lens does a beautiful job in every photographic aspect. I used it indoors for studio portraits and tried it outdoors for a more artistic touch.

Best Wide-Angle Lens for Landscape Photography

Olympus M. Zuiko Digital ED 12-40mm f/2.8 Pro sets the minimum focusing distance of 20 cm. The lens is drip, dust, splash, and freeze-proof! It is constructed with 14 elements in nine groups, and in the package, you get a lens hood and pouch.

The lens is equipped with a manual focus clutch mechanism and maintains a constant f/2.8 aperture. It is pretty sharp at the maximum opening and separates subjects from the background beautifully.

It’s sharp enough that you can get away without too much sharpening. That helps a lot when you have to boost the ISO. Most of the time, I kept the aperture at an f/4 unless I purposely tried to create a bokeh.

The closest focusing distance works exceptionally well, even for small objects. Autofocusing is reasonably responsive and very accurate. It struggles more in low light than the primes, likely because of the smaller aperture. It’s a rare issue, but it’s worth noting.

The zooming and focus ring show a little resistance, but it is how it should be. I just needed some adjustment time.

The manual focus clutch is a fantastic feature. Ergonomic-wise, the lens is heavy, but it is not too big, especially considering the versatility of the focal length.

Best All-Around Lens For Everyday Photography

Olympus M. Zuiko Digital ED 14-150mm f/4.0-5.6 II Lens sports a dust and splash-proof body with the Zuiko extra-low reflection optical coating. The minimum focusing distance sets at 20 inches, with an angle of view of 75° – 8.2°.

The lens is constructed with 15 elements in 11 groups, and it comes in a package that includes both lens and rear lens cap.

This lightweight lens has a remarkable range, starting at 14 mm, which is undoubtedly more than wide enough for most people under normal shooting conditions, to a long 150mm, which is quite an awe-inspiring zoom level.

The versatile zooming range is even more incredible when you consider that the lens is relatively light and moderately small. The focus does solid work, although when you go above 150 mm, mounting a tripod is a must unless you want to meet unwanted blur.

Image quality is excellent, with friendly, although neutral, colors. Image sharpness doesn’t decrease much across the zoom range, which is pretty remarkable.

It has no marked vignetting that I can see, and many of the pictures “pop,” even if you are shooting in standard color mode.

The zooming ring operated smoothly and didn’t jam, not even once. The lens hits the balance between high-end performance and affordability, so it is one of the reasons why everyone should get it.

Best Telephoto Lens For Wildlife Photography

Panasonic 35-100mm f/2.8 comes with fast focus tracking via a 240 fps linear motor that enhances video performance. The lens is constructed of a durable metal body that can withstand various weather conditions.

Furthermore:

It packs X series optics in combination with Panasonics nano surface coating.

The lens provides buttery bokeh that pops the picture when you use the maximum aperture. This lens has proven excellent for events, for truly shallow depth of field when zoomed in and filming up close.

The dual stabilization is just too good. It allowed me to pull out exceptional images when shooting handheld while retaining low ISO value and under dim light.

I tried more backbreaking work for astrophotography, and I highly recommend mounting a tripod for that type of endeavor. The general image quality is outstanding.

Pictures appear tack-sharp with excellent detail preservation, while the focus is responsive and accurate and does not miss shots. Considering the lens’s focal length, I would say it is not too heavy. Yes, it is a significant and bulky lens, but it is expected within the standard frame.

Best Macro Lens For Macro Photography

Olympus M. Zuiko Digital ED 60mm f/2.8 is a weatherproof lens that can withstand harsh conditions. It is constructed of 13 separate elements in 10 groups that assure faithful reproduction of fine details.

The focus limit switches speeds for autofocus, and the lens has a built-in working distance window for subject distance confirmation.

The closest focusing distance is substantial at the maximum macro close-up. I captured details on the strawberries and flowers with an excellent depth of field, although it was pretty windy during the testing.

My complaint is that the bokeh effect is not so good, but you will get crystal-clear images even at the maximum opening. Color rendering and contrast are satisfactory, although they are not comparable to other, faster primes.

The 1:1 wheel on the side of the lens is an excellent addition, and with one flick of the finger, you are ready to focus and take a shot. Since you are so close, the focus is fiddly, and you need pixel peaking to get the best of it.

Construction is plastic, but if you’re familiar with Olympus, it’s high quality and trustworthy. And the lack of bulk and weight is a significant reason to get smaller cameras.

Best lenses for Panasonic Lumix DMC-GX85

The Panasonic Lumix GX85 is a rock-solid camera representing that mid-rangers can pack serious performing capabilities. I was delighted by the robust sensor and an improved autofocus system, all that coming in a beautifully designed body.

Although the performance of the Panasonic Lumix GX85 is solid with kit lenses, it truly shines with aftermarket optics.

For all photographers looking to improve their Panasonic, pick any Panasonic Lumix GX85 lenses from the list. You are on your way to evolving from an enthusiast to a pro!

Please visit other guides on our blogs, such as Panasonic Lumix G7 lenses and Nikon D7200 lens guide.

I wish you the best of luck choosing your new lens, and if you have any additional questions, please comment below.