It is also fully weather-sealed, and it comes with a dual-hinged 2.1M-dot touchscreen LCD. Owners of Panasonic Lumix S1R often boast its camera multi-shot high-resolution mode, which delivers 187MP RAW files.

If the camera body is so exquisite, what can be done to make it even more powerful? Add a set of high-end Panasonic S1R lenses!

If you are looking for quality lenses that won’t cut a hole in your budget, you have come to the right place. I have conducted a thorough test to find the best optics for your Panasonic Lumix S1R.

Best Prime Lens For Portrait Photography

Panasonic 50mm f/1.4 is Leica certified lens with 13 lens elements in 11 groups. It packs two aspherical lenses and three extra-low dispersion elements to suppress axial chromatic aberrations and resolve chromatic aberrations of magnification.

The filter size measures 77 mm, with a rugged exterior that is dust, splash, and freeze-resistant so that it can withstand harsh conditions.

The lens focusing is a technical mix of a double-focused system that combines a linear and a stepping motor that achieves the maximum speed of 480 fps and ensures highly precise autofocus.

The lens sets a bar in terms of overall quality. The maximum aperture provides superior light-gathering, making it easy for concert and club photography. I prefer the widest aperture possible, but an f/1.4 is more than enough for professional standards regarding this lens.

Color rendering is beautiful, with vivid colors and excellent, sharp contrast. The bokeh effect the lens creates is mesmerizing. It doesn’t lose in the edges and creates attractive separations between the subject and the background.

The focusing system is incredibly responsive, and it does virtually no hunting. The only objection is the price, but since you will be getting a high-speed prime lens, it is an investment.

Best Wide-Angle Lens for Landscape Photography

• Lens Type: Wide Angle
• Mounting Type: Sony E
• Focal Length Range: 14-24mm
• Minimum Focus Distance: 0.28 m
• Weight: 1.75 pounds
• Dimensions: 5.5 x 3.35 x 9.1 inches

Sigma 14-24mm f/2.8 lens is a perfect ultra-wide-angle zooming lens for most photographers, even those demanding.

It comes with an updated hyper-sonic motor that provides responsive and precise autofocus. The lens is constructed to be dust and splash-proof with superior sealing at the mount. What technology fans will love is the new front conversion service.

It can convert to a round hood for specialized technical applications, such as VR videography.

Although I am not a fan of using wide-angle lenses for video making, the one proved to be a suitable candidate for videography. Still, imagery shows minor distortions at 14 mm, but it disappears at higher focal lengths.

Since I didn’t face problems taking interior pictures or landscapes during a blue hour, the aperture was satisfactory. Sharpness is present from edge to edge, and the sharpening improves as you step down in terms of the gap. I am satisfied with the color rendering and contrast.

Pictures tend to have an artistic look, providing a pleasant shooting experience, especially for street or art photography. Focusing is relatively fast and precise, with virtually no hunting.

Best All-Around Lens For Everyday Photography

• Lens Type: Standard
• Mounting Type: Leica L
• Focal Length Range: 24-70mm
• Minimum Focus Distance: 0.37m
• Weight: 2.06 pounds
• Dimensions: 5.5 x 5.5 x 11.4 inches

Panasonic 24-70mm f/2.8 is a professionally built lens packing a high contrast at each focal length point, and it has a constant f/2.8 aperture. It has an 11-blade gap for smooth defocusing gradation.

Thanks to the effective aperture, it has a depth expression and a beautiful bokeh effect. It also packs a rugged design that is dust, splash, and freezing resistant.

It can easily withstand heavy use under challenging conditions. Furthermore, it has a focus clutch mechanism that enables instant switching between auto and manual focus.

My only complaint about the lens is the size since it is considerably more significant than the competition. Also, I would like to see more metal elements and a tighter focusing ring. The general image quality is nothing short of excellent.

Sharpness is exquisite at all focal lengths, with a smooth defocusing effect if you want to shoot portraits or limited macro images. Furthermore, the aperture is sufficient for shooting in dim lighting without too much trouble.

Although it is not the fastest lens, it gathers enough light to the sensor so that you can get away with a higher ISO value and a tripod. The focal length is perfect for capturing both landscapes and interiors, so if you can afford it, it is a way to go.

Best Telephoto Lens For Wildlife Photography

Panasonic 70-200mm f/2.8 is a professional lens with optical image stabilization. It makes it possible to use seven stops slower shutter speed, accompanied by a 5-axis dual image stabilization.

The lens comprises 22 elements in 17 groups, including two ultra-low dispersion and three extra-low dispersion lenses. They effectively eradicate both axial chromatic aberrations and aberrations that come from magnification.

The lens focusing uses a double focus system that combines a linear and stepping motor to achieve a sensor drive that works at a maximum speed of 480 fps for accurate and precise focusing.

The design of the lens is dust, splashing, and freeze resistant. It looks and feels durable, like it could take a severe beating. Optical image stabilization is probably the best part of the lens.

It compensates for the modest aperture. I could pull off great shots at not-so-perfect lighting thanks to the OIS while having a relatively low ISO value. The image quality is exquisite. I am a fan of vivid colors, and the lens provides them without a flaw.

Furthermore:

It is tack-sharp even at the maximum opening. Naturally, images appear sharper if you stop down, but image quality is stunning even at the f/2.8.

Best Macro Lens For Macro Photography

Sigma 105mm f/1.4 is a lens designed to achieve notable optical performance and artistic work. It is considered a short-telephoto prime, with an impressive f/1.4 aperture that provides excellent performance in low light situations and greater control over the focusing when one uses a depth of field.

The lens has three low dispersion and two outstanding low dispersion elements that come in the optical design, and they help reduce color fringing and chromatic aberrations.

As a consequence, they provide improved quality and color accuracy. Furthermore, one aspherical element is used to help limit distortion and spherical aberrations and contributes to more excellent overall sharpness and accurate rendering.

The lens, in the matter, has a perfect focal length that can capture mesmerizing macro images. Thanks to the fast aperture, I didn’t have to take the tripod to take solid pictures.

Furthermore:

The lens is a pleasure to work with under dim lighting, thanks to its superior aperture. All of the images I have taken with the lens came out crispy and sharp from edge to edge.

Separation lines between subjects in focus and background are smooth and look well. Focusing is silent, so it captures moving objects that are not disturbed relatively easily.

Best lenses for Panasonic Lumix S1R

Panasonic Lumix S1R is an extraordinary top-notch camera from Panasonic. It features all the modern technologies one could want. From a high-end large sensor to a defocus contrast-detect AF system, Panasonic S1R offers everything in full range.

Naturally, a good camera becomes much superior if you complement it with high-end lenses. If you are unsure what to spend your money on, pick any of the Panasonic S1R lenses I have put together, and your portfolio will thank you!

Feel free to visit other guides on this site, such as the Panasonic G7 lenses tutorial and lenses for Panasonic GX85.

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