Panasonic GX8 owners know that their camera of choice boasts some of the best performance in the class. It has a new 20 MPx Four Thirds sensor and Panasonic’s latest Venus Engine processor.

Furthermore, it packs dual image stabilization and ISO of up to 25,600 with a max burst rate of eight fps with single autofocus and six fps with continuous autofocus. The body is weather-sealed, and it boasts 4K video capability, as well as a 1080/60p option as well.

How does one make the excellent Panasonic GX8 camera perform better when it is so good in the first place? By using the right Panasonic Lumix GX8 lenses. If you are concerned about picking the right gear, check out the article below and find solutions that work the best in your favor.

Best Prime Lens For Portrait Photography

Olympus 60mm f/2.8 lens is weatherproof and can withstand harsh conditions. Its minimum working distance is 7.4 inches with 13 separate lens elements in 10 groups, ensuring faithful reproduction of the most delicate details.

It has a built-in working distance window for subject distance confirmation that helps significantly in various situations. What matters to me is that the lens is very lightweight and fits nicely in confined carrying cases.

I could get solid close-up images at the maximum opening, with a nice bokeh in the background. The 1:1 wheel on the barrel side helps significantly since you have to move your body to focus.

I mainly used manual focusing, but the autofocus is superb as well. Construction is plastic, but if you’re familiar with Olympus, it’s high quality and solid.

In terms of image quality:

The lens delivers impressive results. Color distribution across the frame is excellent, with no “dead spots,” unwanted vignetting, or chromatic aberrations.

The lens doubles in performance since it offers both portrait and macro capabilities. Although I managed to get beautiful portrait shots, I was amazed by how good the macro pictures turned out.

Best Wide-Angle Lens for Landscape Photography

• Lens Type: Fisheye
• Mounting Type: Micro Four Thirds
• Focal Length Range: 12-60mm
• Minimum Focus Distance: 0.25 m
• Weight: 0.50 pounds
• Dimensions: 1 x 1 x 1 inches

Panasonic 12-60mm f/3.5-5.6 covers an impressive variety of shooting situations. Its body is dust and splashproof, so it is ideally suited for all-weather travel.

The lens offers excellent shake reduction performance thanks to the LUMIX Power optical image stabilization and Lumix Dual I.S.: camera compatibility.

The lens also boasts relatively silent, fast, accurate autofocus, thus an ideal candidate for video recording.

In terms of size, it’s light and relatively compact, an excellent choice for travel. The image quality is outstanding; the lens is tack-sharp in corners compared to the competition.

I tried to capture details with the lens, and the headshots at an f/5.6 clearly show individual freckles, fine facial hair, and the tiny arteries in the sclera of the eyes.

Of course:

I mainly used the lens for landscape and interior work, and it did a splendid job of capturing the moods of hills and distant forests.

Furthermore, color rendering is vivid yet neutral, with no oversaturation that lots of lenses tend to deliver. I have been mesmerized by the amount of detail that this lens offers.

Although the vignetting and aberration issues are present at 12 mm, they tend to disappear if you go above them. Given how affordable this lens is and how good it is, it is an incredible bargain.

Best All-Around Lens For Everyday Photography

Panasonic 14-140mm f/3.5-5.6 lens boasts a power optical image stabilization and 10x optical zoom, and overwhelmingly fast and precise autofocus.

It has a metal finish with three aspherical lenses, and it packs H.D. video support. The zoom mechanism on this lens is smoother than the zoom on competing lenses, and you can do video zooming easily with it.

The dual image stabilization is impressive for handheld shots. I used it for both video and stills, and it is impossible to tell it is not mounted to some form of stabilizer. The images and videos are crystal clear.

Here’s the thing:

The general image quality is outstanding, with an even color distribution and vivid details. Pictures are sharp across the frame, and the amount of aberration that occurs is negligible.

My only complaint is that with a mechanical shutter, you can get “shutter shock” with this lens at relatively low shutter speeds. The lens is pretty good for a 10x zoom and small and light at any given length, so no complaints.

The lens’s design is stylish and does not take much space in the camera bag, which makes it an ideal travel companion. If you need one micro third lens to cover a great range of field of view, this is the best one.

Best Telephoto Lens For Wildlife Photography

Panasonic f/4-6.3 100-400mm lens offers high-end performance for nature photography. Its closest focusing distance in “full” mode is 1.3 meters and five meters in a limited way.

The maximum magnification is 0.25x. The diagonal angle of view is 12 degrees for the wide end and 3.1 degrees for the telephoto end. Furthermore, the lens packs a splash and dustproof sealed body.

It also boasts impressive image stability with an integrated LUMIX power optical image stabilization and Lumix Dual I.S. camera compatibility.

Compared to most zoom lenses, which are less than razor-sharp at their zoom range’s extremes, this lens is super sharp out to 400mm. It is not essential if you’re using it to photograph an up-close dragonfly or a distant bird. Your photograph will be brilliant.

The image stabilization is superb, as is the focus system, which is extremely fast and accurate. I’ve even been able to do handheld focus stacking with outstanding results.

Because of the limitations of the current focusing technology in the four-thirds format, the lens will not keep up with action, like flying birds, but this is no surprise as I’ve had results using my other lenses.

Pictures appear well-saturated with bright contrast.

Best Macro Lens For Macro Photography

Panasonic 30mm f/2.8 lens has approximately 1.0 and 2.0 magnification and a beautiful bokeh expression. It boasts a 240 fps drive autofocus with MEGA optical image stabilization.

The lens is not a macro lens in scientific terms, yet it is an excellent choice for enthusiasts who want to take close-up shots of flowers and small objects and use it without a tripod.

The image stabilization does a splendid job for handheld shooting, and the manual focus is excellent for everyday work. I got the right to focus less than 1 inch away, across the yard, or from a significant distance away.

The lens quickly brings all the scenes into the. If you need a lens with highly flexible focal ranges, the lens in the matter is your choice. Furthermore, you barely hear the focusing motor in a tranquil setting.

Sharpness and contrast are excellent for a camera in this price range, and you can get larger than 1:1 images if you get close enough.

Short focal length allows for handheld macro photography; while doing so, you will get an accurate color rendering and super high contrast.

Even though there are more specialized lenses for professional macro photography, it offers a reliable performance package in a small body.

Best lenses for Panasonic GX8

Panasonic GX8 is an exquisite camera in the rangefinder category that can take on severe competition. It keeps a compact, petite design while boasting rock-solid performance.

Although the camera itself is good enough for decent work, you will need a good set of Panasonic GX8 lenses to stand out with your portfolio truly.

If you are tired of browsing through the market to find a high-quality yet affordable lens for Panasonic GX8, pick any of those I have listed above, and you’re good to go.

If your situation is unique, please post a comment below. I will help you find the right lens for you.

Also, read similar guides on our site, such as the Panasonic G7 optics guide and the Nikon D3300 lens article.

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