These are 5 best lenses for Panasonic Lumix DC-G9 [In 2023] 📸

Panasonic G9 offers a 20.3 Live MOS sensor, 5-axis in-body image stabilization, 20 fps continuous AF, and 4K/60p UHD video capture.

Many camera owners are advanced amateurs and professionals who appreciate a camera that can offer both still and video performance. If you are looking for high-quality lenses to complement your Panasonic G9, you have come to the right place.

In the particular testing session, I paired Panasonic G9 with some of the finest lenses to determine which works best. If you are eager to find out how to improve the performance of your Panasonic G9, keep reading!

Best Prime Lens For Portrait Photography

Olympus 45mm f/1.2 Pro lens has an advanced Zuiko extra-low reflection optical coating with advanced, weatherproof construction. What I love about the design of the lens is the fact that it can withstand both dust and freezing conditions.

However:

I am most impressed with the build’s quality, even little things like a barrel “F” button placed where a finger would be and grips on the barrel to facilitate getting the lens on and off.

The lens has a high-speed MSC focusing that ensures silent and fast performance. The quick AF and MF clutch on the lens makes switching easy, and you can quickly nail accurate focus through AF or MF.

The portraits of this lens can produce incredible. Extraordinary sharpness, paired with an exquisite, creamy bokeh effect, is worth the investment.

Furthermore, an f/1.2 allowed me to shoot in dark conditions, with a relatively low ISO value, and I still got stable images.

Portrait isolations work surprisingly well under dim lighting, and even at the maximum opening, I didn’t notice signs of chromatic aberrations. The only drawback of the lens is the price, but since you will get a high-end lens that is both compact and powerful, it is a bargain.

Best Wide-Angle Lens for Landscape Photography

Olympus 7-14 mm f/2.8 lens has an angle of view of 114° 75° with a minimum focusing distance of under 7.5 cm, while the maximum image magnification is 0,12x.

The lens is constructed with a splash and dustproof body. It also has three super ED lens elements, one ED, and two elements to eradicate aberrations.

From an ergonomic perspective, the lens has a manual focus clutch mechanism and a fan button for adding functions according to personal preference.

I have noticed the flare issue with the lens if you shoot under direct sunlight since that is the issue with almost all fast, super-wide lenses. You’ll need to get a filter adapter since the front element bulges too much for standard threaded filters.

The other issue is the distortion occurs at 7 mm, but it goes away if you shoot above 8 mm. Furthermore, when it comes to the aperture, to get the sharpest results, I had to change the f-stop to 10, especially for indoor pictures.

In a nutshell, it is a fantastic lens with excellent image resolution and speed. Along with the camera’s in-body image stabilization, it is a perfect low-light lens.

Best All-Around Lens For Everyday Photography

Olympus 12-200mm f/3.5-6.3 lens has a versatile 16.6x zoom with a dustproof and splashproof construction. The closest focusing distance sets at 8.7 inches.

The zoom range allowed me to use this lens most of the time. Unfortunately, the lens does not come with internal image stabilization, so using a tripod at the telephoto end is a warm recommendation.

I was delighted with the lens’s color reproduction, although I noticed softness in corners in low-light situations, especially after 150 mm. On the other hand, the lens produces solid, sharp images with fine detail reproduction.

Although it is not a perfect choice for pixel-peepers, I will forgive some misconduct since it is an all-around lens. The zoom ring is smooth, but it is hard to zoom in when pointing upward due to how heavy the glass is.

The lens doesn’t have a fixed aperture, so one can expect iris shrinkage when zooming in, but it is still manageable in making videos.

Since this lens’s primary purpose is to take pictures and videos in various situations, it works best for travelers and photographers who like to pack one lens instead of a whole bag.

Best Telephoto Lens For Wildlife Photography

Panasonic 45-200mm f/4-5.6 lens is a dust and splash-proof lens with Panasonic’s Power optical image stabilization.

It comes with focus tracking via a 240 fps linear motor. I was pleased that the lens could deter moisture and dust from entering the barrel since I took it to a difficult testing course in the wilderness. I used it primarily for landscape and wildlife shots and was pleased with the exceptional results.

I used a tripod for critical shots; all of them came out crystal clear with no hint of unwanted blur. At the maximum distance with the power, Image stabilization photos do not look shaky even when handheld.

The quality is even superior when the camera is mounted on a tripod. The general picture quality is satisfactory. Pictures appear very sharp across the frame, no matter the focal length, with minimum distortion at the telephoto end.

It’s not a fast lens by any means, but it does capture detail and autofocus quite well, even when fully zoomed in. Although the lens is not the perfect candidate for astrophotography, it can also deliver solid images in that field.

In terms of design, it has a nice finishing touch and feels helpful in the hands. It also offers reliable performance under dim light, although the maximum aperture is relatively low.

Best Macro Lens For Macro Photography

Olympus 60mm f/2.8 macro lens has a weatherproof construction designed to withstand harsh conditions. The lens has a 7.4 inches minimum focusing distance and 1x maximum magnification.

It has 13 separate lens elements in 10 groups that are tasked with producing the most delicate details. From a technical perspective, the lens has a focus limit switch that speeds up the autofocus and has a built-in working distance window to confirm the subject distance.

The lens is lightweight and fits nicely on the camera without adding weight. This lens makes it easy to shoot one-handed and even in low lighting, although I recommend mounting a tripod for critical photo sessions.

I took pictures of small insects, reptiles, and fungi with this lens. I particularly liked the excellent color distribution, all across the frame, without worrying about color shifting or fringe.

Although the lens offers reliable performance in sharpness at an f/2.8, I advise you to stop down for the best results.

Construction is plastic, but if you’re familiar with Olympus, it is high quality and stable. On the other hand, the lens is small and convenient for carrying around.

Best lenses for Panasonic G9 – Verdict

My impression of the Panasonic G9 is positive. The high-end performing camera is enough to satisfy even the most hardened professionals in photography and videography.

Regardless of the fantastic camera body, high-quality optics are necessary if one wants to elevate capabilities to achieve perfection. Pick up any of the Panasonic G9 lenses from the list, and your Panasonic G9 will start to produce top-notch photos in no time.

Also, feel free to read other guides on this blog, such as the Panasonic G7 lens guide and Guide for Nikon D40 lenses.

If you have more questions about choosing the right lens, kindly post in the comments.