The mirrorless rangefinder style packs an 18 Mpx CMOS sensor, 49 points AF, 3 inches LCD touch screen, and 1080/30 p video recording.

I have experienced firsthand how much this camera improves performance when you pair it with the proper Canon EOS M10 lens. If you are eager to find which Canon EOS M10 compatible lenses are those, keep reading!

Best Prime Lens For Portrait Photography

Canon EF-M 32mm f/1.4 lens has a bright maximum aperture and a 32 mm field of view, with close-up shooting up to 0.25x maximum magnification. The lens packs a circular aperture of seven blades that help achieve smooth backgrounds.

As I have expected from a prime Canon M10 lens, EF-M 32 mm delivered extremely sharp pictures, especially at an f/2 and above. Shooting at an f/1.4 gives an outstanding performance under dim lights, yet I feel the sharpness is not so good compared to a more narrow aperture.

The portraits accompanied a beautiful, dreamy bokeh effect, with clear separations from the main subjects. Although I noticed chromatic aberrations at the maximum opening, I was able to remove them quickly.

Color rendering and contrast could be referred to as the best in class. All the colors came out professionally looking, with an outstanding representation of reality. The lens has a super neat-looking deep convex front element that adds to the visual presentation and other physical features,

One of the lens’s drawbacks is its weight, which some would find considerable for a non-zoom prime. However, since it packs lots of glass and has an exquisite design paired with severe performance, I don’t see it as a flaw. 

I see a drawback: the lack of weather sealant that Canon has left as an exclusive of the “L” lenses. In every other regard, the EF-M 32 mm would be considered a professional Canon M10 prime lens.

Best Wide-Angle Lens For Landscape Photography

Canon EF-M 11-22mm f/4.5-5.6 is a versatile, flexible lens for Canon EOS M10 that produces sharp images across the frame. One of the best features of the lens is compactness, which shows a lightweight package that is easy to carry.

The M10 lens has outstanding optical image stabilization that comes in handy when capturing interiors under dim lighting. I managed to take photos indoors with the OIS’s help without using a tripod.

The zoom range is handy for getting both perspectives and framing just right. However, the lens seems limited at the minim aperture since it gets pretty soft near an f/22.

Furthermore:

The chromatic aberration is present in corners, but it was easy to fix in Photoshop. I recommend this lens to anyone who has never had a wide zoom.

I took advantage of the versatile zoom and wide-angling to pull out compositions that take advantage of the depth of field and wide-angle of view to place things in the foreground and get the perspectives I wanted.

The design of the lens is solid. It feels good in the hand and has a decent finishing touch. In conclusion, it is an interesting wide-angle lens that is versatile enough for general use.

Best All-Around Lens For Everyday Photography

• Lens Type: Telephoto
• Mounting Type: Canon EF
• Focal Length Range: 18-200mm
• Minimum Focus Distance: 0.49m
• Weight: 0.88 pounds
• Dimensions: 3.8 x 4 x 4 inches

Tamron 18-200mm f/3.5-6.3 has a vibration compensation system that helps stabilize the image in low-light situations or when shooting without a tripod.

The image quality is satisfactory, especially considering the broad zooming range. When capturing distant subjects, it offers a nice balance between wide-angle and telephoto shooting.

The pictures taken with this lens appeared quite sharp and nicely saturated, without color shifting. The autofocusing system offers reliable performance, although it gives a hard time in difficult lighting situations.

Another positive thing about autofocus is its operation in nearly complete silence. I mainly used the manual mode for testing purposes, which offered superior performance.

The lens comes with a hood that does a decent job of preventing flares and distortions. I could still notice distortion at 18 and 200 mm, respectively, but I quickly fixed it within Photoshop. The ergonomics of the lens are acceptable.

It feels pretty good in your hands, and the lens has a reasonable weight that will not crush your neck during long-lasting sessions. The zoom ring turns smoothly and relatively quickly.

Best Telephoto Lens For Wildlife Photography

Canon EF-M 55-200mm f/4.5-6.3 is constructed with 17 elements in 11 groups, with a diagonal angle of view of 27° 50′ –7°50′. The focusing distance is one meter with 52 mm of filter size. The lens, in the matter, is compact and, considering the focal length and versatility.

I would say it is pretty light. The lens has an excellent zooming option with a ring that operates smoothly without causing any issues.

The optical image stabilization does a fine job of stabilizing images since I mainly did shootings without a tripod, significantly above the 130 mm of focal length. However, if your cup of tea is astrophotography, I highly recommend mounting a tripod.

The image quality is outstanding, as well. All of the pictures I have taken with this lens came out clear. Furthermore, sharpness was present across the frame, with no visible distortions.

The contrast appears very high, and the color rendering is on point, with vivid and well-saturated colors that retain their natural appearance.

I did notice small traces of chromatic aberrations when I did shootings under direct sunlight, but since they were easy to remove, I didn’t take it as a negative. The design is satisfactory, with lightweight and stylish lines.

Best Macro Lens For Macro Photography

Canon EF-M 28mm f/3.5 features image stabilization for EOS M digital cameras. It also has a built-in macro lite that supplies light to the images. The autofocus can focus at infinity in normal shooting mode and goes up to 1.2x magnification.

The hybrid image stabilization reduces camera shake for enjoyable handheld photography, while the stepping motor provides smooth and quiet operations.

One of the best things about this lens is the almost entirely silent autofocus that allows one to shoot videos without focusing. The lens itself is very lightweight and appears to be a light aluminum with a plastic mount, and in the package, it comes with a lens cap and lens hood.

Another exciting feature is the additional LED light that allowed me to achieve clear shots of close-up subjects.

When focusing up close, this LED comes in handy as you would otherwise be unable to light a subject. The maximum aperture is substantial, and I had no problems shooting in low-light conditions.

On the wrong side, I noticed the subject fringing under a particular light, yet, the images appeared sharp and filled with details across the frame.

What is the best lens for Canon EOS M10?

It was a thrilling experience to use Canon EOS M10, even for a brief time. As I stated in the first paragraph, although the camera is not a high-end product, it offers reliable performance.

Canon is well-known for its stylish, recognizable design, and EOS M10 is no exception. Owners of the camera should not look for a better camera.

You only need to invest in high-quality optics, and your photo game will go up in no time.

I hope this guide helped you make the right decision and get the best lens for your Canon EOS M10 camera.

However, if you are still unsure what lens to choose, comment below, and  I will help you find the right lens for your personal needs.

Also, read other articles on the LensesPro blog, such as Canon T7i lenses and Canon 90D lenses guide.

Happy shooting!

More Mirrorless Canon Lenses Guides:

• Canon M200 Lenses
• Canon EOS M3 Lenses
• Canon EOS M5 Lenses
• Canon EOS M6 Lenses
• Canon EOS M6 Mark II Lenses
• Canon EOS M10 Lenses
• Canon EOS M50 Lenses
• Canon EOS M50 Mark II Lenses
• Canon EOS M100 Lenses
• Canon EOS RP Lenses