Are you looking to find out what are the best Fujifilm XT4 lenses?
Making the wrong purchase can be devastating since camera lenses are so expensive.
But in this guide, you will discover some of the best Fujifilm XT4 lenses.
Fujifilm XT4 is a high-end mirrorless camera with in-body stabilization, fast shooting, top-notch autofocus, and a big battery. It has a 26 MPX BSI CMOS sensor, 4K video up to 60p, and 20 FPS shooting with autofocus.
Do you wonder how Fujifilm’s mirrorless camera can perform with various Fujifilm X T4 lenses? Keep reading if you are eager to find out how I utilized its unique hardware. You are going to love the results!
The lens in the matter is reliable and fast. The design is very pleasing to the eye, especially since this is a small and compact lens.
Fujifilm 56mm f/1.2 is a nicely balanced lens with reasonable weight and is very easy to maneuver in handheld shooting. The architecture of the lens is superb, as well. It is a very stylish metal lens design that is pleasing to the eye. The motor of the lens is almost entirely silent.
The focus and aperture ring are on point, remarkably quiet, and comfortable. This autofocus is also relatively fast. The images I got with this lens are nearly perfect.
The colors and details are stunning, with excellent sharpness and an incredible bokeh effect in the background. The portraits I got with this lens are gorgeous. All the pictures I shot had a dreamy, distinct look, which is good enough for the pro category.
Moving on to the lighting:
I must say Fujifilm 56mm f/1.2 proved to be a stunning lens. Its f/1.2 aperture gave excellent results even in an environment with weak ambient light and during evening hours.
I didn’t have to boost my ISO for it to work well. Though I shoot a lot in f/1.2, I didn’t notice any issues with sharpness. All the images were crisp and quite sharp, so this lens was worth its price.
- Beautiful bokeh for lovely portraits
- Dreamy background
- Great image quality
- No optical image stabilization
Best Wide-Angle Lens for Landscapes
One of the most delicate things about the lens is its compact design. On the other hand, the lens is quite heavy, but I am willing to forgive it for the performance it offers.
Fujifilm 8-16mm f/2.8 is a heavy-duty lens in terms of weight, but it justifies its importance in other aspects. It is a razor-sharp lens throughout the zoom range, even at the f/2.8 opening.
It is an excellent choice for wide-angle shooting indoors and landscape and astrophotography.
Considering it is an f/2.8 lens:
It is a good investment for astrophotographers since it does provide excellent results in night conditions when shooting skies. Images I got with this lens are crispy and sharp, with perfect color distribution and no vignetting on the edges.
I specifically liked this lens’s outstanding light-gathering capabilities at every focal length. I managed to pull off extraordinary night sky images at f/2.8 with no distortions. This is, by no means, a prime lens aimed at portrait photography.
It produces excellent bokeh effects and nice and crisp details for the foreground and subject in focus. Speaking of autofocus, it is pretty fast, yet, not so quiet. I didn’t mind it since it was my only fault with this lens. It is also weather-resistant. I used it in the rain and mist and faced no issues.
- Excellent performance
- Great image quality
- Beautiful color rendering
- Quite heavy
Best All-Around lens for everyday photography
The system is quiet, discreet, and doesn't shake around. I used this lens for street and landscape photography, and it showcased great results on both occasions.
The focal range of Fujifilm 18-135mm f/3.5-5.6 is quite broad and helpful. The lens comes equipped with an excellent vibration reduction system, which proved to be one of the finest I have ever used.
This lens can keep the image tack sharp at four to five stops slower than average. The motor itself is quiet, fast, and not shaky.
It proved to be an excellent add-on for travel and vacation and shooting simple videos. Its broad focal range and effective vibration reduction make it possible to be used as a video shooting lens when you don’t have a tripod.
Images it produces are sharp, yet sometimes soft in corners (mainly if you shoot at 18 mm).
The contrast is excellent all the way through, naturally enhancing the visual impression of sharpness. The lens has a slower aperture, but the opening stays somewhat circular throughout the range.
It helps to achieve a beautiful bokeh effect. It can’t be compared to prime lenses, but it is more than decent.
- Premium build quality
- Perfect bokeh effect
- Very crisp images
- Aperture not written on the ring
Best Telephoto Lens for Wildlife Photography
The lens is equipped with a five-stop image stabilization system and a versatile angle of view. It has lots of details, beautifully rendered colors, and high contrast.
Fujifilm 100-400mm f/4.5-5.6 is an expensive, bulky, oversized lens. But it is an excellent lens with efficient optical image stabilization. It is a unique lens from Fujifilm that will get you closer to your subjects than other lenses.
The color rendition is superb, with vivid colors, sharp contrast, and exquisite details.
Despite its size, it is straightforward to use handheld. I have shot in low-light conditions with this lens, using higher ISO values and excellent sharp images without too much noise. The manual and autofocus both work pretty well.
Images I got with it tack sharp in the center, which is the most crucial considering this lens.
The wide focal length allows you to shoot distant objects and get sharp pictures. For example, I did a woods photo shoot and got extraordinary images of faraway birds.
The model showed exquisite details of birds’ feathers and beaks. In terms of quality, it is a high-end lens; it is robust and reliable and will serve you well in the wilderness.
- Excellent focusing system
- Sharp images
- Beautiful design
- Considerable weight
Best Macro Lens for Macro Photography
The optical image stabilization is incredible. It gained me five stops, and it came quite handy in shooting macro scenes.
Photographers who don’t like using a tripod should look forward to Fujifilm 80mm f/2.8. It is an excellent choice since it comes with unique optical stabilization. The lens can capture outstanding wide-angle landscapes.
Images are sharp, paired with attractive bokeh so that you can use the lens for various situations.
The optical image stabilization allows you to gain four to five stops and achieve super macro shots. It is possible to do so even in difficult conditions when you shoot close up and usually need to have an aperture wide open.
The autofocus is relatively fast and silent and can be slower if you use the 1.4x teleconverter.
I have tested the lens in various situations:
Including in low-light environments. It didn’t disappoint me since I got some beautiful ambient light and low ISO images. The only drawback of this lens is its size since it is relatively heavy and oversized.
- Weather and dust resistant
- Incredible sharpness
- Beautiful bokeh
- Quite heavy
Best lenses for Fujifilm XT4 – Wrapping Up
In recent years, mirrorless cameras have been booming, and rightfully so. Fujifilm did a splendid job with its XT4 mirrorless, which proves to be a powerful camera to date. Its technical characteristics and stylish design make a winning combination for both pros and enthusiasts.
With the right set of lenses, this hardware can boost its performance way above its initial level. Try it for yourself and pack any of the Fujifilm XT4 lenses I’ve recommended and up your photo game!
Hopefully, this guide helped you choose the lens that will be perfect for your needs. If you still can’t decide which lens to pick, comment below, and I will do my best to help you further.
Read similar guides, such as Canon RP lenses and the focus for Nikon D40 lenses.
What lens would you recommend for sports photography? I am a novice trying to record my kids’ high school sports.
Fujifilm KSF50-140mmF2.8 R LM OIS VR is the best lens for sports photography, its price may be a bit higher but you will be satisfied with its performance.