Do you want to know the best lenses for Nikon D3 in 2023?
If so, you are aware that finding the perfect Nikon D3 lens is not easy.
But in this guide, you will learn everything you need to know about choosing the best Nikon D3 lenses.
It is the first-ever Nikon DSLR with a full-frame sensor (36 x 24 mm), paired with a 12.1 MPX full-frame sensor, with ISO ranging from 200-6400.
It also has a new shutter, an autofocus sensor, 9 FPS continuous shooting, and a new standard image processor.
This full-frame beast from Nikon can further be enhanced with the right lenses. Which are those? Well, I’m going to tell you in a second.
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Captivate with stunning portraits, smooth bokeh, and exceptional clarity. The go-to lens for professional photographers.
Unleash your creativity with superb macro capabilities and impeccable image quality. Perfect for capturing intricate details.
Explore the world with this versatile zoom lens. Exceptional performance and affordability in a compact design.
Table of Contents
Best Prime Lens for Portraits
- Lens Type: Telephoto
- Mounting Type: Nikon F (FX)
- Focal Length Range: 85 mm
- Minimum Focus Distance: 0.80 m
- Weight: 0.77 pounds
- Dimensions: 2.87 x 3.15 x 3.15 inches
Let’s start with primes. Nikon 85mm f/1.8G came up as the best lens for shooting portraits. The creamy bokeh it creates comes out clean and sharp, at any distance.
The lens is fast and accurate in low-light situations, especially on a full-frame body. It is bright enough when opened at the widest possible aperture and gets even sharper if you stop just a notch before it.
The autofocus is fast and performs best when used as portrait gear. However, I did some shooting in social events, and I was not disappointed with the results. It is safe to say it can be used as an all-around lens.
Nikon 85mm lens is quite a focal length considering it is prime with no zoom. So it can be used for taking shots of more extensive scenes. Also, f/1.8 ensures lots of light will enter the sensor so that you can use it as a studio or indoor lens.
- Excellent wide-open performance
- Beautiful bokeh for lovely portraits
- Fast focusing speed
- Great sharpness even at the low end
- Focusing isn’t silent
- A small amount of barrel distortion
Best Wide-Angle Lens for Landscapes
Moving out to a wide lens, I praise Tokina 11-16mm f/2.8. The aperture ranges from f/2.8 to f/22, with two aspheric lens elements and two super-low dispersion elements.
Optically speaking, it is excellent stopped down, but it shines out when wide open. I didn’t notice distortion or vignetting of importance.
It is a lens intended to be used outside so the design can withstand a lot. It is, in a sense, a heavy and massive lens, so it might be tricky to carry it around a neck the whole time, but it is something you get used to it. The only issue for some users will be changing from autofocus to manual pull-push.
The autofocus is very loud and might deter some, but it compensates for accuracy and speed. I love that this lens provides a perfect corner-to-corner sharpness and creates detailed scenes. During the test, I did get some superb shots of wide scenes with ideal lighting and barely noticeable lens flare.
- Sharp from 12mm to 16mm
- Effective manual/auto slip ring
- It feels very well built
- Excellent value
- Slight vignetting at 11mm
- Short focal range compared to others
Best All-Around lens for everyday photography
Nikon AF-S 28-300mm f/3.5-5.6G is a remarkable zoom lens for full-frame cameras. It offers excellent sharpness and an extensive zoom range, with f/5.6 at the telephoto end. It comes with vibration reduction, which ensures image stabilization.
You can use this lens handheld to get dramatic, sharp images.
These qualities make it a very versatile, all-around lens. I did a round of experimenting and found portraits are great at 300 mm. autofocus is quite loud, which can be a slight annoyance, but it is fast in return.
Although it is not a prime lens, and such sharpness is not expected, this lens provides sharp images with just a little flare and chromatic aberrations.
They can be removed in post-production. It is a big lens that triples the size of one physical lens when zoomed in. Three switches on the left side work excellently, and I didn’t have trouble using them. The lens performed well in low-light conditions, so it is safe to say it is the best all-around choice.
- Good picture quality
- It has a longer reach
- VR is an instant lockup
- Fast and silent autofocus
- The zoom ring is not smooth
- This lens is heavy
Best Telephoto Lens for Wildlife Photography
Nikon 70-200mm f/4G has one of the best noise-performance sensors. I have taken numerous pictures at 200 mm f/4 1/30 with excellent handheld sharpness.
It is a truly excellent performance. This lens’s vibration reduction is helpful in low-light conditions when you cannot raise ISO without dealing with a lot of noise.
It can also mitigate blur and slower shutter speeds, which can mean the world in handheld shooting. Image quality is outstanding, with clear pictures, lots of contrast, excellent clarity, and even color distribution. I am yet to notice any fringe issues with this lens, and the color distribution is superb.
There is a small type of vignetting at f/4, but it disappears as soon as you stop down to f/5,6. The focus ring is a world of its own, very smooth and accurate.
Autofocus offers a silent and precise system. Optical performance is astonishingly good, and bokeh is pleasing, and I must say the lens reproduces high-quality pictures at f/4.
- Great VR
- Long zoom and good colors
- Sharp pictures
- Performs well with proper lighting
Best Macro Lens for Macro Photography
The macro lens comes last, with Sigma 105mm f/2.8 being the winner. This lens focuses on 1:1 magnification at its closest working distance of 12.3 inches.
It is a gear that works quite well indoors when shooting at f/2.8. You can have a dimmed-out room or a concert hall with ambient light, and you will still get good pictures.
Autofocus is extremely fast and silent, which is the right combination. I must praise the stabilization of the lens, which benefits photographers who don’t fancy tripods. The image quality is superb, with sharp lines. Optical stabilizers work well for shaky hands, so it is easy to say tripod haters will love this lens.
Macro lenses generally offer sharp images, but this one stands out with outstanding clarity and smooth bokeh transitions of what is behind your main subject. It is a well-built lens with quality materials and a modern design, so it is a complete package.
- Great manual focus feel
- Macro feature works like a charm
- Lens is lightweight
- f/2.8 is great for general photography
- Made from plastic
Best lenses for Nikon D3 – Wrapping Up
Nikon D3 is a modern camera that introduced many high-tech features to photography. What impressed me the most was how much better the D3 camera body got with the right Nikon D3 lenses.
Following the advice above when buying, your Nikon will rise to its full shooting potential with the best Nikon D3 lens in 2023.