Are you a photo enthusiast who loves photography and wants to learn more about lenses and mid-range cameras? If you love full-frame cameras aimed at enthusiasts, you will agree with my bold, yet truthful statement.
Nikon D600 is one of the best mid-range options for photographers!
It packs a full-frame 24 Mpx sensor, with 39 autofocus points and a 1080p full HD recording option. It also comes with 5,5 fps continuous shooting, an ISO range from 100-6400.
It is safe to say it is one of the most affordable full-frame cameras in the market. Yet, no matter what good the camera body is, it can be improved with the right set of lenses. And what lenses to choose for D600?
Find out in the article!
In choosing a prime lens, one of my most important criteria is versatility. Nikon AF-S FX NIKKOR 50 mm f/1.4G offers just that. In terms of f-stop, it is an f/1.4 lens, so it makes it an excellent choice for low-light situations. With this lens, I loved the fact that it allowed me to reproduce realistic colors, very similar to what my bare eyes see.
Also, I must praise color consistency, no matter the type of lighting, so this prime works well indoors, as it does outdoors. The pictures I took were of high quality, very bright, sharp with beautiful and silky bokeh.
I took some photos outdoors, and I can’t help but think this lens does require polarized lens cover, even with the lens hood. It is because of the flare that can sometimes be noticed if the lighting is too strong or direct.
With this being an affordable lens, the polarized cover isn’t too much of an investment. The construction of this Nikon’s lens is fantastic as well since it is weather sealed, so you won’t have any trouble using it in the rain.
It is made out of metal and quality plastic, and additional plus is that it is quite light.
- Excellent balance of contrast
- You can open it up to f1.4
- Fast, bright and sharp
- Great low-light performance
- No aperture ring
- Color fringing is noticeable
Best Wide-Angle Lens for Landscapes
Nikon AF-S NIKKOR 14-24 mm f/2.8G ED is a fantastic venerable ultra lens for the D600 camera. This lens is my number one choice for low-light natural scenes, much of a night sky.
It allowed me to capture star trails and Milky Way. What I loved about this lens is the sharpness of image corners, even at f/2.8.
With this lens, I had a lot of fun shooting night photos, and to be honest, the 14-28 mm f/2.8 is a standard for this type of photography. Color distribution and contrast are excellent, with natural-looking colors and no chromatic aberrations.
Autofocus is very fast and almost silent. I had a difficult time to tell if it’s working or not, and that is praise for any autofocus mechanism. In terms of manual focus, it is extraordinary as well.
The focus ring turns smoothly. That gets you in a position to achieve the focus point you need precisely. What’s equally important is that the focus stays in the same place if you decide to recompose.
The materials used for this lens are rock solid, which is essential, considering it is a wide-angle lens, intended to be used outdoors.
- Amazing sharpness and clarity
- Distortion is very low
- Glass is extremely well built
- Vibrant colors
- The slip on lens cap
- Vignette at wider focal length
Best All-Around lens for everyday photography
Nikon AF-S FX NIKKOR 28-300mm f/3.5-5.6G ED is my ideal first choice for the prime lens when it comes to shooting portraits. It focuses better than 24-27 mm lenses I used before, and the images I got were very crispy.
I did a portrait shooting session outdoors with a 200-300 mm range and got terrific results. However, I noticed smaller distortions at the lower end of the zoom range, but it only happened in ultimately low-light conditions. On full zoom, the lens extends much longer than I anticipated, resulting in clear images.
Image stabilization provided me f/3.5 stops of blur-free shots when I was shooting handheld. It meant dramatically sharper images and a great 4K video. This is a remarkable lens with versatile zoom, and it is suited for outdoor use.
I can object to the size and weight of the lens, but other than that, I didn’t find other drawbacks.
- Good picture quality
- It has longer reach
- VR is instant lockup
- Fast and silent autofocus
- Zoom ring is not smooth
- This lens is heavy
Best Telephoto Lens for Wildlife Photography
One of my all-time favorite lenses is telephoto Nikon 70-200mm f/4G ED VR. It provides unbelievable performance of the VR gyro and five stops of image stabilization. It is an excellent telephoto lens with edge sharpness comparable with that taken f/2.8, though it outperformed that lens at most f-stops.
Corner sharpness differs, depending on the aperture you use, but in lots of cases, you won’t even tell the difference. At f/4, there is a little softness in the corners, but not something that can cause significant issues.
There’s a little bit of pincushion and some barrel distortion in places you would expect in terms of distortion. However, it is essential to notice this lens has far less distortion than many other zooms in the market.
I found VR to be useful and productive in low-light conditions when I could not raise ISO without compromising the photo quality. It can also help to mitigate motion bluer and slower shutter speeds. The image quality is exceptional, with high contrast and color distribution.
- Useable Focal Length
- Long zoom and good colors
- Metal mount gives a sturdy feel
- Performs well with proper lighting
- Mediocre low-light performance
Best Macro Lens for Macro Photography
In this list, I picked out all Nikon lenses, and I did it for a good reason. Nikon AF-S DX Micro-Nikkor 40 mm f/2.8G is my perfect choice of macro photography.
It gets me a 1:1 aspect at a distance of about 6 inches. The lens does a superb job at f/2.8 stop, though I would suggest using a flash ring to avoid unwanted shadows.
This lens’s angle is 38 degrees and 50 feet, with a minimum focus distance of 0,53 feet. It is an excellent lens for the price. The images it produces are nice and sharp. It comes with quick autofocus and DX-format and a good depth of field.
I didn’t notice barrel distortions during the testing, and all of the pictures I got were crisp and clear. I mostly used it to photography plants and insects; it consistently produced excellent results, much better than other lenses I tested in this range, even compared to different zoom lenses.
I will point out that it is a 40 mm lens to work both as a macro lens and a lens for general photography.
However, notice it is a 40 mm lens, so sometimes you will have to get closer to your object than you want to. But it is a small price to pay for such a good and affordable lens.
- Great manual focus feel
- Macro feature works like a charm
- Lens is lightweight
- f/2.8 is great for general photography
- Auto-focus performance in low-light
- You must get close to subject for 1:1
Best lenses for Nikon D600 – Verdict
There it goes, my list of five best lenses for Nikon D600. I love this camera, and the Nikon, as a manufacturer, produced the best lenses for the particular model.
So it is the main reason why all of the four tested lenses belong to Nikon. I’m sure you will have lots of fun shooting with them, and always feel free to share your photos!
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