Do you love full-frame compact cameras? Are you a proud owner of Nikon D700?
If so, you will agree with my next statement:
D700 is a great camera, and its professional performance can be improved by choosing the right lens.
To introduce a full-frame camera into a broader market, Nikon opted for a compact model D700, which is essentially a D3 camera, with the main difference being size.
The body was smaller than its bigger brother, but it came packed with the same 12.1 full-frame sensors. It also included vibration sensor cleaning and a new, improved info screen on the back panel; these two being the other two critical differences from D3.
D700 comes with a built-in flash, a feature that some like, while others avoid. With technicalities being said, it is easy to conclude that Nikon did a great job with this model.
This camera body can be utilized to the maximum with the right set of lenses. If you are interested to see which are five best lenses for this full-frame Nikon, keep on reading, because I have done some thorough testing.
Sigma 50 mm F1.4 DG HSM is a lens I found to have great value when it comes to controlling distortion and vignetting, no matter the focal length you choose. I didn’t notice any chromatic aberrations either, which is crucial to me when I shoot portraits.
I decided to test Sigma shooting at f/1.4, and I was delighted with great, well-litted photos. The bokeh effect was silky smooth and crazy sharpness when needed.
The downside is the amount of glass on this lens, which can be tricky, considering it is a 50 mm lens. Some users might feel it is too brittle, but honestly, I didn’t face any issues.
This lens is meant to be used with the full-frame body, and the pictures you get with DX are lesser in quality.
One thing I noticed during the test process is the right amount of resistance in the manual focus, which made me quite precise while snapping.
- Excellent color transmission
- Professional build quality
- Excellent lens cap
- Amazing picture quality overall
- Storage dock-cap is loose
- It is large and heavy
Best Wide-Angle Lens for Landscapes
Tokina 11-16mm f/2.8 AT-X116 Pro DX II is my choice for landscapes, first and foremost, because it provided me with awesome night-sky photos.
I did a photo-shooting on a starry night with a tripod, at f/2.8, and 11 mm, and I was amazed by the crystal clear image. I didn’t have to do much post-processing because the exposure was excellent, and sharpness was on point.
I also find Tokina to work well at 15 or 16 mm for low-light conditions in confined spaces, and it tends to give great fish-eye like shots at 11 mm. That means you won’t have to get an additional fish-eye lens.
I’m also a big fan of manual/auto slip rings. It did take me some time to learn how to utilize one on this one, but it paid off.
The angle is wide, and the lens opened up to 11 mm, which can mean a world when you have a scene you need to put in the frame, but you can’t afford moving around. I noticed just a little bit of distortion at the edges, and only at 11 mm, though it was an easy fix.
- Sharp from 12mm to 16mm
- Effective manual/auto slip ring
- It feels very well built
- Excellent value
- Slight vignetting at 11mm
- Short focal range compared to others
Best All-Around lens for everyday photography
When I travel around, I need a lens whose selling point is lightweight and fast accurate focusing. Nikon AF-S DX NIKKOR 18-300 mm f/3.5-6.3G ED delivers it flawlessly. During the test, I took it into the street to do some promenade shooting.
Then I went into the woods to shoot the full range from 18 to 300 mm, and I was honestly impressed. In the woods, branches blocked out much of the sunlight, so it was a low-light game. The focus was fast and accurate, and photos I got were sharp, even when I just did a quick snap.
The feature of using a manual focus being even when autofocus is on is a great one, and you will use it more than you think.
Since this is an 18-300 mm lens, it means you won’t have to carry a whole set of lens around, and that is important if you are on the move, and your space is limited. Another significant benefit is its lightweight of 550 grams, which comes in handy when your bag is fully packed, or you want to keep the camera with you.
- Extremely small and light weight
- It is very convenient
- Fast autofocus
- Macro focusing even at 200mm
- Poor vignetting at close to 18mm
- Needs to be locked
Best Telephoto Lens for Wildlife Photography
Wildlife photographers are used to packing somewhat large and robust lenses. Sigma 70-200 mm f/2.8 APO EX DG HSM OS FLD is a heavy lens and can be challenging to use for handheld shots.
Especially for people who have smaller hands, it can get quite challenging, ergonomically speaking. So first of all, you will want to buy a tripod with this lens.
Technically, it is a high-speed lens, you can afford fast shutter speeds to minimize camera-weight shaking, but the tripod would be a better option. Pictures I have taken with this lens are incredible. Zoom is outstanding, with a quiet motor, so forget about the clicking noise when holding the shutter.
The exterior is of a top-notch built, which is something you would expect from a telephoto lens. I did lots of f/2.8 shooting with this lens, and I got quite lovely bokeh effects, and the transition from subject to background was smooth.
This Sigma allowed me to get excellent shallow depth of field, and with it, I managed to get some lovely images of fast-moving objects.
- Useable Focal Length
- Long zoom and good colors
- Metal mount gives a sturdy feel
- Performs well with proper lighting
- Mediocre low-light performance
Best Macro Lens for Macro Photography
The reason I have chosen Nikon AF-S DX Micro-NIKKOR 40 mm f/2.8G over other lenses for close-ups is that it allowed me to get closer to my subjects than different lenses. If you like macro photography but don’t want to commit yourself to buy more expensive gear, this lens would be a great fit.
It is a 40 mm lens so that it will serve as an “all-purpose” lens. It is quite fast, though not as fast as 35 mm f/1.8, it compensates for it with a lower price.
Shooting to get 1:1 magnification can be challenging, since you will have to get close to your subject, thus risking some unwanted shadows. I still managed to get beautiful pictures with vivid colors and no shadow issues, but it took me some time to experiment.
I did shoot close to my subjects with this lens, and I didn’t have to crop images. The bokeh effect is subtle too, which means you should be able to shoot some portraits.
Manual focus can be adjusted at wish, so you can manually set the focus close to the object and then let autofocus (which is fast, accurate, and surprisingly quiet), to do the rest.
- Great manual focus feel
- Macro feature works like a charm
- Lens is lightweight
- f/2.8 is great for general photography
- Auto-focus performance in low-light
- You must get close to subject for 1:1
Best lenses for Nikon D700 – Conclusion
Nikon D700 is one of my favorite cameras altogether. It is also the first full-frame compact I came in touch with.
Its light body, combined with a full-frame sensor, powerful autofocus, and a wide range of ISO, makes it a great took to work with.
Moreover, with the lenses I have described, D700 really shined and performed exceptionally well, even compared to some other, newer cameras. If you are on the search for new lenses for your Nikon, look no more.
Just pick any of those five lenses I mentioned, based on your needs, and you are good to go.
If this guide helped you make the right decision, please share it using social buttons below. You can also read other guides on this website such as Nikon D5600 lenses guide and best lenses for Nikon D3500.