Ergonomically speaking, it is a considerable improvement compared to DS3. This camera comes with a 91,000-pixel metering sensor and decisive autofocus, which can work in low-light conditions, even with a small aperture lens.

The ISO can be expanded to an incredible 204,800 and has rear-mounted controls to make shooting more accessible, even in the dark.

Keep reading if you wonder how I managed to squeeze even more power out of this beast camera.

Best Prime Lens for Portraits

Nikon AF-S 50mm f/1.4G is a great lens, no doubt about it. The Aspherical lens element removes chromatic and other aberrations from photos, even at the widest aperture. It is meant to be used with full-frame cameras, which is why D4 utilized its power.

The picture quality is terrific. All of the images I got were very sharp and with crisp details. Since I mainly used it and tested it as a prime lens, I’m delighted with the quality of the bokeh effect in the background. The depth of field is fantastic, and it is no wonder. It is, after all, an f/1.4 lens.

I tried out the studio’s lens, doing photo shooting of live subjects, and was surprised by the image quality, even without all of the studio equipment.

I didn’t have to face the image’s unwanted shadows or blown-out parts. It works great in low light to shoot excellent portraits during blue hours or indoors, even without intense artificial light.

Speaking about wide-angled lenses, Tamron 15-30mm f/2.8 is my top choice. It comes packed with a silent ultrasonic motor to ensure the autofocus is on point: fast, accurate, and quiet. This lens is the right solution for a full-frame DSLR camera since it comes with a nine-blade round aperture, which creates perfect bokeh effects.

The focus is high-speed, which can come in handy, considering you might want to shoot moving things in the open field. It is a wide-angle lens that shoots landscapes and nature so that some photographers might object to the weight and size.

The lens is extensive, but it comes with zoom and focuses rings that are somewhat stiff yet, comfortable to use. I took lots of photos using this lens without the tripod and didn’t experience any issues.

The f/2.8 ensures lots of light comes in, and with a monopod, you can easily use this lens as your primary tool for astrophotography.

One of the best qualities of this lens is its high image quality and sharpness in all corners. It is constructed brilliantly and ergonomically.

Although it is a massive lens mainly made of plastic, the material is well utilized, giving an impression of high-quality plastic.

Why is Nikon AF-S 24-120mm a great lens? Because it is a perfect full-frame format standard zoom lens aimed at landscapes, portraits, weddings, and distant subjects.

All of that while offering a maximum aperture throughout the whole zoom range. It also comes with VR II image stabilization, so your handheld shooting will not be annoying.

The lens focuses quite fast and offers sharp lines and realistic colors. At 70 mm, I could shoot some distant objects, but at 120 mm, it was easy to capture spires of churches and mountain summits.

The extra zoom of 120 mm can come in handy in many situations, so I’m sure many professional photographers will use this lens.

When it comes to the wide-angle lens, vignetting and aberrations are often the primary concern. During the testing, I saw that sharpness was good at all edges and zoom settings.

However:

There are some troubles with distortion and vignette control, but it is an easy fix in Lightroom or Photoshop.

Sigma 70-200mm f/2.8 is my winner in the telephoto category. The focal length changes the angle of view of the image, meaning that the longer the focal length, the smaller the angle of view, thus a higher magnification.

This particular lens comes with Sigma’s optical stabilization system and allows the use of a shutter speed four stops lower than it would be possible without it. It is a valuable function, and it makes telephoto shooting more enjoyable.

Zooming feels very smooth, and the externals of the lens are of the highest quality. The images I managed to take were of high quality as well. Of course, it is due to say the motor is pretty quiet and doesn’t cause any noise issues. All the images in the full range of focal lengths were clear, crisp, quite clear, and very well exposed.

The fact that I can drop the aperture to f/2.8 at the wides point is fantastic for getting that bokeh and smooth depth of field. The only objection some may point out is the size and the weight.

It is a heavy lens meant to be used with a tripod. But considering it is 200 mm and used for telephoto shooting, it is not inconvenient, and I didn’t have any trouble handheld shooting.

In the end, Nikon AF-S 105mm f/2.8G is the first choice for macro photography. This versatile lens is suitable for any photographic situation.

It also comes with nano-crystal coating, enhancing image quality and reducing flare and any possible aberrations. The lens we have here is massive, and you will often have to use a tripod to take photos.

However:

After some time, you will get used to it and make extraordinary images handheld, so a tripod is just a convenience, not a must, with this lens. The image quality is more than good, and it has a bokeh I rarely saw before.

When focusing, autofocus does an excellent job, but you will do better if you use a manual mode for close-ups that are too close to a subject. I used it to take photos of a human model and was surprised by the significant details on the face.

The shots were incredibly crisp, and the autofocus was superb from the portrait distance. Since it is an f/2.8 lens, you can expect excellent performance in low-light situations.

It is a fixed lens with no zoom, so remember that you will have to “learn to zoom with your feet “when using it. Some will call it a drawback, but for me, it is just another creative way to utilize photographic skills.

Maximizing Your Nikon D4’s Performance with the Right Lens Choices

When it comes to leveraging the full potential of your Nikon D4, selecting the right lens is as crucial as mastering the camera settings. Here are some actionable tips to help you choose the best lenses and enhance your photography experience:

• Understand the Focal Length: Before choosing a lens, consider what you will be photographing. Wide-angle lenses (like 24mm) are ideal for landscapes, while telephoto lenses (such as 200mm) are better for sports or wildlife due to their magnification capabilities.

• Aperture Priority: A lower f-number means a wider aperture, which allows more light into the camera. This is essential for low-light situations and for achieving a shallow depth of field. Consider lenses with a wider aperture like f/2.8 if you often shoot in varying light conditions.

• Lens Build and Features: Look for lenses with features that match your shooting style. If you shoot handheld in low light, optical stabilization can be a lifesaver. Weather-sealing is a plus for outdoor photography.

• Invest in Quality Over Quantity: Instead of buying many cheaper lenses, invest in a few high-quality ones. A good quality lens can significantly improve image sharpness and color fidelity.

• Experiment with Prime Lenses: Although zoom lenses offer versatility, prime lenses (which have a fixed focal length) often provide superior sharpness and faster apertures. They can encourage creative composition techniques.

• Check Reviews and Sample Images: Before purchasing, look at reviews and sample images online. They can give you a sense of the lens’s performance in real-world conditions.

• Understand Compatibility and Future-Proofing: Make sure any lens you buy is not only compatible with your Nikon D4 but also with any future camera bodies you may consider upgrading to.

• Consider the Weight: If you travel frequently or shoot for long periods, a heavy lens can be a burden. Balance the lens’s benefits with the practicality of its weight.

• Maintenance Is Key: Keep your lenses clean and in good condition. Regular maintenance will ensure that your lenses continue to perform at their best for years to come.

By following these tips, you will be able to choose lenses that not only complement your Nikon D4 but also enhance your photography, allowing you to capture stunning images with clarity and precision.

Best lenses for Nikon D4 – Verdict

Nikon D4 is a genuinely professional camera that will not disappoint you, not even in the most demanding situation.

I did thorough testing to ensure you walk away with the proper knowledge about sets of Nikon D4 lenses you can use.

I found out that the lenses described above best fit the D4. Since it is a high-end DSLR from Nikon, you’ll want to be equipped with the right lenses.

For other tutorials, please browse our site, where you will find articles such as Nikon D3400 lenses and How to choose Nikon D3200 lenses.

If you decide to use any of those I have tested, you will be delighted with the outcomes.

More Nikon D Series guides:

• Nikon D3 lenses
  
• Nikon D3S lenses
• Nikon D4 lenses
• Nikon D5 lenses
• Nikon D600 lenses
• Nikon D610 lenses
• Nikon D700 lenses
• Nikon D750 lenses
• Nikon D780 lenses
• Nikon D800 lenses
• Nikon D810 lenses
• Nikon D850 lenses
• Nikon Df lenses