Are you looking for the best Nikon D4 lens in 2023?
If so, you know that getting the most value out of your bang is difficult with so many lenses on the market.
Luckily for you, I will show you how to choose the best Nikon D4 lenses in this guide.
The Nikon D4 is a 16MPX, full-frame pro-DSLR camera that shoots at 11 FPS (or 10 FPS with continuous autofocus).
Ergonomically speaking, it is a considerable improvement compared to DS3. This camera comes with a 91,000-pixel metering sensor and decisive autofocus, which can work in low-light conditions, even with a small aperture lens.
The ISO can be expanded to an incredible 204,800 and has rear-mounted controls to make shooting more accessible, even in the dark.
Keep reading if you wonder how I managed to squeeze even more power out of this beast camera.
Capture stunning moments with unrivaled clarity and precision. Unlock the true potential of your shots with this exceptional lens.
Elevate your photography game with this lens. Zoom in to capture breathtaking details and freeze time with impeccable focus.
Experience professional-grade performance. This lens offers a wide range of focal lengths for every shooting scenario.
Table of Contents
Best Prime Lens for Portraits
Nikon AF-S 50mm f/1.4G is a great lens, no doubt about it. The Aspherical lens element removes chromatic and other aberrations from photos, even at the widest aperture. It is meant to be used with full-frame cameras, which is why D4 utilized its power.
The picture quality is terrific. All of the images I got were very sharp and with crisp details. Since I mainly used it and tested it as a prime lens, I’m delighted with the quality of the bokeh effect in the background. The depth of field is fantastic, and it is no wonder. It is, after all, an f/1.4 lens.
I tried out the studio’s lens, doing photo shooting of live subjects, and was surprised by the image quality, even without all of the studio equipment.
I didn’t have to face the image’s unwanted shadows or blown-out parts. It works great in low light to shoot excellent portraits during blue hours or indoors, even without intense artificial light.
- Excellent balance of contrast
- You can open it up to f1.4
- Fast, bright, and sharp
- Great low-light performance
- No aperture ring
- Color fringing is noticeable
Best Wide-Angle Lens for Landscapes
Speaking about wide-angled lenses, Tamron 15-30mm f/2.8 is my top choice. It comes packed with a silent ultrasonic motor to ensure the autofocus is on point: fast, accurate, and quiet. This lens is the right solution for a full-frame DSLR camera since it comes with a nine-blade round aperture, which creates perfect bokeh effects.
The focus is high-speed, which can come in handy, considering you might want to shoot moving things in the open field. It is a wide-angle lens that shoots landscapes and nature so that some photographers might object to the weight and size.
The lens is extensive, but it comes with zoom and focuses rings that are somewhat stiff yet, comfortable to use. I took lots of photos using this lens without the tripod and didn’t experience any issues.
The f/2.8 ensures lots of light comes in, and with a monopod, you can easily use this lens as your primary tool for astrophotography.
One of the best qualities of this lens is its high image quality and sharpness in all corners. It is constructed brilliantly and ergonomically.
Although it is a massive lens mainly made of plastic, the material is well utilized, giving an impression of high-quality plastic.
- Great value for the money
- Good control over vignetting
- Minimal chromatic aberrations
- Excellent central sharpness
- Barrel distortion at 15 mm
- Big and heavy
Best All-Around lens for everyday photography
Why is Nikon AF-S 24-120mm a great lens? Because it is a perfect full-frame format standard zoom lens aimed at landscapes, portraits, weddings, and distant subjects.
All of that while offering a maximum aperture throughout the whole zoom range. It also comes with VR II image stabilization, so your handheld shooting will not be annoying.
The lens focuses quite fast and offers sharp lines and realistic colors. At 70 mm, I could shoot some distant objects, but at 120 mm, it was easy to capture spires of churches and mountain summits.
The extra zoom of 120 mm can come in handy in many situations, so I’m sure many professional photographers will use this lens.
When it comes to the wide-angle lens, vignetting and aberrations are often the primary concern. During the testing, I saw that sharpness was good at all edges and zoom settings.
There are some troubles with distortion and vignette control, but it is an easy fix in Lightroom or Photoshop.
- Vibration reduction works well
- It comes with lens hood
- Pro-level color and contrast
- Center sharpness is excellent
- Color fringing
- Sharpness fades on the edges
Best Telephoto Lens for Wildlife Photography
Sigma 70-200mm f/2.8 is my winner in the telephoto category. The focal length changes the angle of view of the image, meaning that the longer the focal length, the smaller the angle of view, thus a higher magnification.
This particular lens comes with Sigma’s optical stabilization system and allows the use of a shutter speed four stops lower than it would be possible without it. It is a valuable function, and it makes telephoto shooting more enjoyable.
Zooming feels very smooth, and the externals of the lens are of the highest quality. The images I managed to take were of high quality as well. Of course, it is due to say the motor is pretty quiet and doesn’t cause any noise issues. All the images in the full range of focal lengths were clear, crisp, quite clear, and very well exposed.
The fact that I can drop the aperture to f/2.8 at the wides point is fantastic for getting that bokeh and smooth depth of field. The only objection some may point out is the size and the weight.
It is a heavy lens meant to be used with a tripod. But considering it is 200 mm and used for telephoto shooting, it is not inconvenient, and I didn’t have any trouble handheld shooting.
- Great VR
- Long zoom and good colors
- Sharp pictures
- Performs well with proper lighting
Best Macro Lens for Macro Photography
In the end, Nikon AF-S 105mm f/2.8G is the first choice for macro photography. This versatile lens is suitable for any photographic situation.
It also comes with nano-crystal coating, enhancing image quality and reducing flare and any possible aberrations. The lens we have here is massive, and you will often have to use a tripod to take photos.
After some time, you will get used to it and make extraordinary images handheld, so a tripod is just a convenience, not a must, with this lens. The image quality is more than good, and it has a bokeh I rarely saw before.
When focusing, autofocus does an excellent job, but you will do better if you use a manual mode for close-ups that are too close to a subject. I used it to take photos of a human model and was surprised by the significant details on the face.
The shots were incredibly crisp, and the autofocus was superb from the portrait distance. Since it is an f/2.8 lens, you can expect excellent performance in low-light situations.
It is a fixed lens with no zoom, so remember that you will have to “learn to zoom with your feet “when using it. Some will call it a drawback, but for me, it is just another creative way to utilize photographic skills.
- Great manual focus feel
- The macro feature works like a charm
- Lens is lightweight
- f/2.8 is great for general photography
- Made from plastic
Best lenses for Nikon D4 – Verdict
Nikon D4 is a genuinely professional camera that will not disappoint you, not even in the most demanding situation.
I did thorough testing to ensure you walk away with the proper knowledge about sets of Nikon D4 lenses you can use.
I found out that the lenses described above best fit the D4. Since it is a high-end DSLR from Nikon, you’ll want to be equipped with the right lenses.
If you decide to use any of those I have tested, you will be delighted with the outcomes.
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